Dropping Down – Giulia Millanta (Ugly Cat Music)
It’s a brave thing indeed to start of a set with a song that has, as its main focus, Anger. It could set us up for angst perhaps or that
shouty kinda righteousness that some protest singers favour. But ‘Right Between The Eyes’ balances the singers (rage) disappointment with a restrained sort of energy, holding back when it needs to, letting a gentle folk even reggae mood drift though, but keeping the bite, the tension perfectly.
It’s because its personal. And that’s the album’s defining core, these songs come from the heart and the mind, what takes place is seen through the singers eyes, what is felt is what she feels, and oh she is curious, feisty, humorous, yet introspective. And she manages somehow to make that introspection blossom outwards so that we become emotionally attached to the words and music.
She sets the scene, and often that scene is surreal, yet with a few words you catch on to all the characters, and where they fit, if only for a few seconds before they slip slide away, melt, fade into each other as she tumbles us gently into another chapter.
On the cover we see the artist seconds after taking the great leap off, down, into..where exactly? and we wonder if she will be able to
illustrate through her songwriter this ambiguous fear or joy or that satisfying mix of both.
Wonder no more, this free-fall is seductive, delicious even strangely comforting.
Her arrangements too fit this slow dive, never fussy, the instruments shift around the voice like the wind against the body falling,
special mention must be made though about Lorenzo Forti’s bass which slinks and curls around the songs, sly and provocative.
Millanta takes us on a quirky sideshow reading of Paranoid, which displays a subtle theatrical pose, before ending the set with ‘Floating’ which is placed perfectly as it seems to be an answer of sorts to all the questions raised within the previous stories, an acceptance of love, of self and finally of life.
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Look At The Sound – Jebediah Goodthrust (Independent Release)
Holy Banjo Batman! The Country superhero brings us another slice of home cooked rock n roll, or maybe its moonshine, He sure does strut across the speakers like a good old young man all dressed up fine for a Saturday night adventure.
Mr Heise plays about 85% of what goes on here, but weirdly this is the most BAND sounding album of his long curved career.
This is the Breakthrough collection the one that could shove those that merely admire into something resembling pure love. And I for one will rejoice mightily when that happens.
It even boasts a bona fide classic rock single in ‘Go’ which is a gloopy mix of Sweet Jane Velvets and Paul Westerberg all applied with a big brush onto that unmistakable Heise Brothers structure.
But the fun doesn’t stop there!
There are ungainly waltzes (cowboys learning to love and dance, their minds half on that pretty face half on the hassles and weight of the world outside), and even that peculiar kinda post punk ballad type thing that only a certain type of deviant American really understands or gets right.. again though its the Heise twist that defines them, so its Pixies or Pavement (depending on the hour and the song) but with that smudge on the windscreen perspective.
Personal favourite for me, (let it be said that this collection is FULL of faves) is ‘So Tired’ a song that builds and falls , builds and falls and contains a delicate tension that bodes well for future releases and also gets that difficult creature that is Nelson’s voice just
Look, they are never really gonna be mainstream, but this one flirts with the possibility, and is perhaps the brothers finest achievement thus far.
And if this ‘solo’ outing makes you , gentle listener want to explore the back roads that the Hit and Mrs and The Heise Brothers travelled, then that’s a damn good thing.
Tracks from BOTH these fine recordings can be found on the NBTMusic Radio
will also be featured on the NBT Flagship Podcast going out tomorrow
on this very set of pages