The NBT Music Columns : The CyberPR Blog (Ariel Publicity)13


Man Behind the Monitor: Bill Prevost of rifRadio

 Aside from being a steadfast advocate of the unheard underdogs, Bill Prevost of rifRadio meshes cause related substance with entertainment on his Internet station “Radio Iraqi Freedom.”

 T:  How did rifRadio get its start?

B:  I’ve always been a big defender of the underdog. About four years ago, I got increasingly tired of the way that our military was being constantly disrespected and maligned by the mainstream media. I decided that the best way to show my support was to create a music station that might bring a little bit of home to them wherever they were. You can’t do this over the airwaves unless you are fortunate enough to get a large conglomerate like Clear Channel to syndicate you and that was not financially feasible for me. But the Internet, now that was a possibility. It’s not as restricted and I was allowed more freedom. The “rif” in rifRadio stands for “Radio Iraqi Freedom” and will be forever dedicated to those who put their lives on the line everyday so that I can do this. Something that should never be forgotten. If you want an idea of the alternative take a look at what China is doing with the Internet. ‘Nuff said.

T:  What encouraged you to dive into Internet Radio as opposed to other forms of broadcast?

B:  I think what I liked most was the freedom to do things the way that I thought they should be done. Not having to follow the archaic protocols and standards that the regulated industries have adopted. For instance, I play complete albums because the artists of that album had a particular message or idea that they were trying to convey. I’m not going to get into any deep discussion about this, I don’t think that I need to. A few examples of this though would be almost any Pink Floyd, Yes, or Alan Parsons Project album. Even Boston’s first album, the one that they cut in their basement because the record companies said that they weren’t good enough, has a very fluid format.

Boston, Brad Delp in particular, also was the encouragement to me to listen to “Indie” music. I’m the person that watches the movies that the critics give thumbs down to. I find that they are usually better than the ones that they do like. For the last few years, the big music companies been sitting around whining about piracy and downloads. This is not because the artists lose out. To the contrary, it’s because they lose out. A couple of great reference articles are interviews with David Byrne (Talking Heads) and Thom Yorke (Radiohead) in the January 2008 issue of Wired Magazine. They have seen the industry eat artists on a daily basis. It used to be all about the money. Not how much the artist would make, but how much they would make at the expense of the artist. They also have seen the future and it is a future that benefits the artist as well as the industry. In my opinion, (and I say “in my opinion” only out of some sense of political correctness, something I greatly despise), the recording industry downfall began with the likes of Madonna. Think about it. Could you imagine Robert Plant, Johnny Winter, Eric Clapton or any of the greats of the past with backup dancers? Alvin Lee, (Ten Years After) wrote a line that I think says it all. “Go tell Madonna it don’t do nothin’ for me”. Why is it necessary to have 38DD and big asses bouncing around the stage? Don’t you think it kind of distracts from the guy that spent his life learning to play the 12-string or the message that the band is trying to get across?

There is so much talent out there that isn’t getting out because the recording industry starts to milk them for money the second that they get any recognition. You can’t make it if you don’t pay. How ridiculous. If that doesn’t stifle creativity and ambition, what does? Groups like TSC (Te Stone Coyotes), Jupiter One, Blood Red Sun, Telling On Trixie, artists like Pete Berwick, Papa Satch, and Bill Kelly are where the future of music lies. I sincerely hope that they read the articles that I mentioned.  The sky is the limit if they get it right.

I was fortunate to have found CyberPR ( Of all of the publicity companies that I am in communication with, they have what I consider some of the best talent available. I’ve found that they can distinguish between the good ones and the great ones.

T:  As a radio broadcaster, do you have a favorite radio personality that you’ve been inspired by?

B:  In music radio, no. I have tried to combine the attributes of three stations that I grew up listening to in the 70’s and early 80’s. I’m from the Denver area and back then we had a station called KLZ FM, (they later became KAZY). I had a friend at the time that was a DJ. I would go as a guest with him to a little place in the bottom of the Brooks Towers called Ebbets Field when he would MC. I listened to such greats as Leo Kottke and Lynyrd Skynyrd, (a few days after their release of “Pronounced”) and others. Unfortunately it became too commercial as time went by and I switched to KBCO in Boulder. I liked their laid back style and my favorite DJ was Ginger. They too became very commercial over time and that led me to the Ft. Collins college station KTCL. The students ran it and occasionally they would “buck the system”. They also played local music and the stuff you didn’t hear on commercial FM. Those days are gone. I try to do the same now. I still have to play the stuff everyone remembers, but I can also slip in the stuff that you only heard if you bought the album.

T:  What is the biggest challenge you face as an Internet Radio station manager?

B:  It would probably be promotion. I have an edge as I did concentrate on the military. I’ve been told that I am one of a very few Internet radio stations allowed on bases, but as you can guess, I have no way of knowing other than word of mouth. I am working on some new and exciting ways of promoting my station, but I don’t want to fall into the same old commercial trap. You can get that anywhere.

T:  What advice would you give an aspiring station manager looking to grow their listener base?

B:  I could tell you that but then I’d have to kill you. No, I guess I would just say do what feels good. The Internet is wide open. Use it wisely. Try to get an idea of what people want and make it work with what you want. Respect your listeners; they are what it is about. Find a cause or ideal that you want to advance and do so with intensity and respect. I can’t say that word enough. I have two. The appreciation of those who would die for me and the advancement of what I see as the future of music. Self-marketing and incredible talent are the next wave in the music industry. I’m a firm believer that if you want something done right, you have to do it yourself. The rewards are security, accomplishment and satisfaction.

T:  What’s next for rifRadio?

B:  I want to be the source for “Indie” music. I want someone to call up a band or artist and say, “I heard you music on rifRadio”. I want the talent that is sitting out there to say, “I sent a demo to rifRadio….”. I am dealing with what I consider to be the best publicity agent out there right now. Eventually, I will have to expand, but for the immediate future I have every confidence in what I am doing and whom I associate with.

If I can make this thing work, I have plans to build a recording studio catering to Independents. I’m out in the middle of nowhere. I wake up to moose and deer in my yard.  I wouldn’t give it up for the world. I have fiberoptic Internet and all the amenities that I need. This would be the perfect place. I even have a producer in mind. I’m a long way from that, but not deterred. My station has been climbing steadily in my server’s ratings and my ideas to make it even better are just starting. I do believe that I will achieve my goals.


To check out what’s playing on rifRadio now, visit:

 For the complete interview with Bill, including a few referrals to insightful articles about the landscape of the music industry, check out:


The NBT Music Columns : The CyberPR Blog (Ariel Publicity)12


The Technological Challenge with Ajay Chandriani

By Trevor Dye When you’re submerged in the world of technology, it all seems to come second nature, but what if it didn’t?  There’s a constant debate about the rapid technological advancements in our society and how fast we can adapt.  Recently, we asked Ajay Chandriani of Mixed Bag Sound System to share his views on the state of the change.

 What was your reason behind starting Mixed Bag Sound System?


I needed an outlet for my stressful job that involved recruiting people for one of the top three search engines. I don’t sing, paint (except for some weird computer art), or play any instruments (I put those away decades ago) so the options for an outlet were limited. Playing music everyday (CD or radio in the car) alleviated my stress to a certain degree, but not enough to soothe the nerves. To make matters worse, regular radio was boring, repetitive, limited to stars and their hits, and didn’t have enough new music to introduce to the masses. It felt like a waste of time and a total rip-off for the listener who was/is looking for something fresh to put in the ears. How many times can you listen to ‘Stairway to Heaven’ – come on, a band like Led Zeppelin has more in it’s catalog than that one track, or a couple of its other hits. You get the idea. That’s how it is with all other bands that are popular. Injustice to the listener (and artist) is what I call it considering the amount of good unheard music there is in the marketplace. Unheard also applies to the vast catalog of songs by popular bands that never get played. I was terribly fed-up with the broadcast state of affairs and turned OFF the darn radio in disgust. Imagine turning on the radio to one of your favorite preset stations and knowing what the next song was going to be on the playlist, or knowing the artists that got repeated everyday, every hour, every minute. What a bloody wash!!!

 How did it get started? 

I met up with a friend from my dot com past one day and he reminded me about my dream of being a DJ, my vast music collection that I could introduce to the masses, and a little broadcast site from our early days that was now one of the big boys of Internet radio – I remember, the day this site launched I was absolutely elated with the concept of the everyday little guy having control over his own little radio station and playlist. I was thrilled beyond words, but had to shelve this in the dark corners of my mind due to time constraints in the real world of getting a dot com newcomer up and running. Anyway, fast forward about six years, I’m stressing, meeting a buddy for lunch, he reminds me of this shelved dream, I go home and check out the site, fork over the subscription, and launch as Mixed Bag Sound System in March 2006. Don’t make a dime from this venture (wish I could), but I’m happy as a clam getting music out to listeners in over 40 countries and counting. Thanks to Ariel Publicity for contacting me and introducing me to tons of new bands and sounds (no, I’m not getting paid for this plug), and my listeners the world over thank you. I am so darn happy playing music I own and like, and I know my listeners love what they’re hearing. You will hear Led Zeppelin on my station, but it won’t be ‘Stairway……….’ I rest my case.

 Do you consider yourself tech savvy overall? 

Yes, completely and totally. I asked my son the other day if he knew how to play a record, and he was clueless. What more can I say. I come from the era of the record player. My house even had one of those wind-up Gramophones that played 78rpm’s, although that belonged to my granddad. I have seen all the technologies (records, eight track, cassettes, Walkman, CD, etc.) evolve through my lifetime and I have bought and used every one of them including the current favorite, the iPod. Our generation has been very fortunate to experience the birth and growth of various technologies through the past few decades, and we have grown alongside them. Tech savvy, you bet!!!!

 What do you think it takes to be tech savvy in today’s world and what are some of the key components of that skill set (like what are the most important things to know to get by I guess)? 

Tech savvy really applies to the older generation, and I stated my case in the previous question. We had to grow with each new technological advancement or be left behind. The current generation, or those starting with the ones born in the 1980’s had the tech savvy gene inborn (Walkman, CD’s, video games, mp3’s, etc.) and didn’t have as much to develop or didn’t have to take a major leap forward. It’s all similar and connected now. All thumbs is what I say – texting, gaming device controllers, etc. It all comes instinctively now, no training required. PacMan was amazing when it came out. It was a whole new ball game and experience getting your thumbs into action. I don’t like texting, and would rather pick up the phone and call you, but my dad who’s almost 80 loves texting, as does my 15 year old. Go figure. The only thing you need to be tech savvy nowadays is to have money to buy every new technology that hits the shelves, and the gumption and patience to work the gizmo. How many 80 year olds have you seen with iPods and iPhones and computers. Plenty…….

 Do you think certain generations will be left behind, or is there potential for everyone to adapt to technological changes? 

Every technology nowadays is plug and play and easy as pie to use. Cable, mobiles, Internet, you name it, is getting easier everyday.  You no longer have to be a programmer to be able to use computers, or a rocket scientist to understand or use other technology. Companies profit and consumers benefit when everything is easy to use and made for the masses. Mass consumption is the name of the game, and the only way you’ll get left behind is because of you and your reluctance to adapt to changes.

 What’s in store for the future of Mixed Bag? 

This is my baby, my dream, and it’ll be around as long as the listeners are tuning in. I try not to bore my listeners with retreads and based on the stats, so far, so good. A big question mark in keeping this dream alive is the Internet Radio Equality Act that has been seesawing in Congress. The record companies want to raise royalties for hobbyists (such as myself) on Internet radio while giving regular radio all the breaks. If royalties go up, I won’t be able to afford my subscription and I’ll shut down the station. I’ll regret losing my hobby, but darn if I’m going to pay these guys another dime more than I’m shelling out now. The artists, exposure to their music, listeners, and sales will suffer, but to heck with these greedy glut companies. They are already suffering a slowdown in sales, and this is just the beginning of the big wallop the consumers are heaving back at them. Enough is enough!!! I have a closet full of vinyl and cassettes, thousands of CD’s at an average $17 a pop (something that costs $2 to produce) and I say no more. Buzz off. I am a hobbyist doing this for fun, promoting new and older music, not making a dime, not sharing in the sense where listeners can download the tracks, so why rip me off when I’m promoting your product (that I bought) on my hard earned dollar. I buy the music, it’s my time, I pay to be on the bandwidth, promote your product without you compensating me, so where’s the justice in making sure I go silent. A time is coming when more bands like Radiohead will sell their album on an honor system minus the middleman…….coming soon to a website near you!!!! Here’s hoping these corporate suits back off and let us hobbyists do what we do best…….introducing music to the masses on our dollar. If they don’t want the free plug, you know what they can do with it…….

 Check out more from Ajay at  

The View From OurAfter


An Article by John Phillips 

The Overall Music Scene of U.S.A. and Pennsylvania:

The everlasting effects of technology and corporate America have made the musician (or artist) into the one thing that music itself should never become, a consumer product.   While the modern day musician shares his love and passion for allowing the general public to connect with his music and emotion, the modern day influence of music has been watered down into a senseless product that the general public barely has enough comprehension to understand.  Don’t believe me, watch Rockof Love on VH-1.

The true artists of today are the ones to be discovered through the internet and unsigned channels.   Most of the great artists aren’t given a chance due to the fact that their lyrics aren’t on a sixth grade level for your everyday person to understand, or the music riff isn’t the same thing that has been produced one thousand times already However, some scenes are standing out these days has a very eclectic music scene.  Since I have traveled across the U.S.A performing, I have noticed that Pennsylvania is a state that belongs mostly to the Rock, Metal, and Indie scene.

 The cities that stand out the most are Philadelphia, Harrisburg, and the Scranton-Wilkes Barre area.  The thing that I love the most about the Scranton/Wilkes-Barre area is that there is an enormous amount of talent of every type that is literally waiting to explode on a national level.   

Some note worthy bands and acts are Panacea, Spitcan, Dr, Horsemachine and the Moneynotes, Tom Graham, The Let Go, The Five Percent, Ashfall, The Drama Club, Cabinet, George Wesley, Clarence Spady, The Swims, Tigers Jaw, and the list goes on and on!

Even though the economy is faltering in some areas, we continue to work harder and strive towards a bigger picture that we have well within our sights. Check out some of the reviews through publications such as and just to see how much we believe in our area.

Being from Scranton, I have always loved where I live.   I have performed in cover groups, original groups, done concert promoting, etc.  I love being actively involved in sharing great things with my community and exposing them to musical cultures that they normally don’t get to see.  Being the president of the Steamtown Original Music Showcase in my area has proved to be a great asset to also building an ever growing awareness of original music in the N.E.P.A. scene.

My band OurAfter has grown to be a massive force in the Alternative Music Scene in N.E.P.A. and I am very proud of that.  We have performed all across the eastern seaboard and will be expanding even more.   This band will be releasing a new CD due out in Oct of 2008.  The band has found itself in it’s identity, music, emotion, and overall character. The fan base is ever growing and the possibilties are limitless.
Welcome to our world.  You should all come visit us sometime.

John Phillips

The NBT Music Columns : The CyberPR Blog (Ariel Publicity)11


Woman Behind the Monitor (and the Mic):  Anji Bee  “The Sexiest Voice in Podcasting” Anji Bee of the Chillcast talks about the show and her double life as both podcaster and musician.   T:  How did the Chillcast get its start?   

A:  I guess you could say The Chillcast got its start with college radio DJ’ing. After 3 years of doing various shows and working in management at a college radio station, I was pretty well hooked.  Then I discovered Internet radio, and started creating both live and prerecorded Internet radio content – including interviews with indie bands like Hungry Lucy and Sunburn in Cyprus.  Eventually podcasts were invented, and I put 2 and 2 together.  Podcasting was better than radio because listeners could tune in whenever was most convenient for them – which seemed really revolutionary!  My first podcast was actually  Chillin’ with Lovespirals, which Ryan and I launched to help promote our 2nd album, Free & Easy.  Shortly after, I started getting permissions from indie band friends to create a weekly music show podcast – because you have to understand that at this time the podsafe music movement was barely getting started!  Adam Curry had just begun his Podsafe Music Network — which is actually how he and I met and became friends, when Lovespirals joined the site.  Adam played us on the Daily Source Code, and then we started talking back and forth on his podcast about Creative Commons vs BMI and all those kinds of things.  To make a long story a bit shorter, I put together a few fledgling episodes of The Chillcast, hosting them on the Internet Archive site and C.C. Chapman, who was really active with PodShow at the time, pitched the show to Adam and PodShow management, and I was signed as one of the first group of podcasters to the new PodShow Podcast Network.

 T:  What have you learned from operating on both sides of the broadcasting world, as a podcaster and as a musician?  

A:  Good question. Podcasting is a great way to communicate with your fans, to give them a sense of who you are as a person, as well as to inform them of your latest projects. You can really build a sense of brethrenship, not only with your fans, but fellow indie musicians and fellow podcasters. Podcasts are more intimate than a newsletter, less time consuming than a forum, and both more immediate and long lasting than a personal appearance. I’m surprised more bands aren’t doing podcasts, actually.

 T:  With over a half million downloads of the Chillcast, what is the top tip you would give aspiring podcasters in terms of building such an impressive listenership?  

A:  Consistency. Being consistent with the quality, content, and output of your show is really important. Listeners want to know they can rely on you to provide whatever experience it is you’re providing on a regular schedule. If done well, your show becomes a part of your subscriber’s life that they look forward to, and you don’t want to let them down!

 T:  Chillin’ with the Lovespirals was one of the earliest band podcasts, what was the impetus behind such inspiration and foresight?  

A:  Well I mentioned this briefly in your earlier question, but the idea was to share information about the new album we were releasing, and what better way to promote an album than with the music itself?  We had shared audio interviews we’d done with radio stations in mp3 format on music sites for years, so I knew people liked to listen to us talk about our music and band experiences. We have all the recording gear here at our disposal, so it just seemed logical to produce our own audio content and make it available via our site. We had fun doing it, too. At that time, iTunes was just launching their podcast directory, so getting listed on that was a real thrill.

 T:  Why should a band be PodSafe?  

A:  Podcasts are a very low cost promotional tool. Unlike radio, it’s very easy to break into the podcasting world.  There are still relatively few bands vying for attention on podcasts. If your music is good, you’re bound to get noticed. And podcast subscribers are truly interested in music. These are the cutting edge people who have sought out an alternative form of entertainment; they’re serious. If they like something they hear on a show, they actually go out and buy it. I get email and comments all the time about buying music from my shows — in fact, I got one this week from a guy who was sad that Sun Dula Amen wasn’t on iTunes yet, because he wanted to buy it! And of course, I know for a fact that I sell my own CDs from podcasts, I see the proof from orders on the Lovespirals Webstore.

 T:  You’ve said, “an indie band can make more money selling less CDs without a big label” so where should the revenue be coming from?  

A:  Everyone’s experience is going to be different, but in the case of Lovespirals, we have personally been able to make more money selling less CDs having released our music on our own label. When you consider that standard royalties paid per CD are between $1 and $2, I mean, come on — you’re going to need to sell an awful lot of copies to make any appreciable amount of money! And even then, you’re only paid quarterly, so it will take a long time to see anything come in. When you sell your CDs yourself, especially directly from your own website or at live shows, then whatever money is made is all yours, right away. And then there’s the money made from digital sales and licensing. Its a lot of work to do on your own, I won’t deny that, and most people probably aren’t willing to take on the additional responsiblity, but we did and it seems to be working for us.

 T:  What’s next for The Chillcast and Lovespirals?  

A:  Lovespirals are continuing to promote our new album, Long Way From Home. We have a remix EP off of the first single, “Motherless Child,” being released digitally, and we have a remix contest lined up for the second single, “This Truth,” with Peace Love Productions. In all likelihood we’ll do a digital release with the winners of that contest in early 2008.  The Chillcast just launched a Video Edition, which is a new weekly feature for the feed. The first episode included a video by Karmacoda, and the second includes Beth Hirsch. As for the regularly scheduled audio show, I’ve got a great little chillout Christmas episode, and a really amazing extended DJ mix for New Years coming up.


For music from Lovespirals go to

 To check out what’s playing on the Chillcast go to  

The Wonderful Ones


The Wonderful Ones

The Best Acts of 2007 featured on NBT

Year Zero.
Those who lived and were (at least mentally) young during the birth of Jazz or Rock or Punk will know what I mean.
Year Zero.
The beginning of a new time in popular music, dangerous to some, exciting to many others.
A new way, a new life-force, a new country.
Misunderstood and feared, those who held the ‘old’ powers tried to defeat it, manipulate it, and worst of all, just pretend it did not exist.
They failed.
And as this giddy screaming, giggling, life form took shape so too did NBT.
We had existed before this, but 2007 was the year that our soul was found and our mind grew bright.
And I would like to showcase just a few of the Wonderful Ones, the artists who made 2007 beautiful and complete. So showing no favourites and in no order of importance, let us begin.
I will say a few words about each act and then let some of them tell you, gentle reader, about their own thoughts on the past year and the one to come.


To me he is the soundtrack to autumn. There is wildness in the quietness between chords and sadness behind the wry smiles. His music is a great old tree, burning gold, reaching for the ever colder air. He soothes and provokes at the same time.

Breadfoot:Uhm and here’s what I got to say about 2007-08;
2007, yeah, uhm a curious year. Slack-ass distributors, crackhead mutha’f**kers camped out on my stoop, and worrying about where our country is headed done wore
me out.
Left Brooklyn. Landed in Bynum, an old mill town on the Haw in North Carolina. Now pretty much settled, am hopin’ mostly to get back to workin’ on the follow up to Tea with Leo, which is gonna be called Salvatella.
So yeah, for 2008 I’m figurin’ my trip is gonna be to get that new disc recorded, keep my old pick-up running, enjoy the green & the quiet and when I can, poke a stick in Washingtons’ squinky, constitution trashing, wrecklessly legislating eye.

Luke Holder

When Ryan Adams gets you down because of his lack of quality control on his hundredth release of the year, take a spoonful of Mr Holder’s immaculate Americana bar band soul boogie elixir. You will be dancing the rough and rumble for weeks afterwards.

Ariel Publicity

NBT enjoyed collaborations with a few brilliant companies in 2007, one of which was the wonderful Ariel Publicity. Multi platform (like NBT) and dedicated to getting new independent music out into the world, AP provided not only promotion, but educational resources and intricate networking skills and started debates on many subjects important to any band or label or site that wanted to get anywhere on the world wide web.

As well as all this, Trevor Dye writes a weekly column for NBT, which showcases and interviews important contributors and podcasters from all over the internet.

Gee Davey

Bringing back purity of form and honesty to grunge and poppunkRock, This new York based band sidestepped the lethargy of the mainstream. Through a fierce grasp of what it means to be independent and an uncanny skill with hooks and melody, rocked hard all over the net, the virtual and real world and in too many NBT shows to count.

DJ of Gee Davey: 2007 has been a fun and exciting year for Gee Davey. It feels like we really matured, not only as a band, but as an entity. After releasing Sparticle last year, we all sort of took a bit of a breather. But this year, we came back rested and ready. We engaged in a massive, at least for us, push on the CD, including a promotional sweep of all the major College radio stations in the US and Canada, several local tripleA stations, international pod casts, and online radio streams. I’m happy to say that Gee Davey can now be heard regularly in places as wide and diverse as Alaska, Germany, Japan and Russia.

2008 promises to be our most ambitious year yet. We have just completed recording a small EP package for another promotion, but this will be bigger and better. We have geared up our live show to go out in support of our new material, and hope to coordinate a massive push in early 2008, with more radio play, a new video, live performances, social networking and of course the support of those like NBT that have been with us all along.

So that’s our little story. Gee Davey will be reaching for the stars in 2008, and this year we may just get one.

Strangers In Wonderland

A devious wedding took place in Sweden some too far away time ago. Folk slept with Pop Electronica and triplets were born, Mood, Music and Magic.
Crystal vocals and subtle distortion could be heard across Wonderland and the world of NBT too. The strangers had arrived.

The Morrisons/The Legendary Ten Seconds

the jinglejangle of postpunk and post folk and future cool. I think these guys have featured om more NBT casts than any other. And they never seem to run out of passion, ideas or just the lightest, coolest, uplifting tines in this alternative universe. For a traveller on these sometimes too dark roads, you have made my journey easier.

Lauren Fincham

As personal as that first cup of coffee on a winter morning or those quiet dangerous thoughts just after the late movie has finished.

Lauren Fincham: For me, 2007 was a breakthrough year. I learned yet again, what being a real friend actually means. My heart was rescued by Anya – my blue-eyed white Samoyed demon-dog. AND, through some minor health issues and tedious life lessons, I finally completed my 3rd CD – with 2 videos!!

For 2008 my personal wish is to be better organized in promoting and succeeding in my creative and music endeavours. My wish for the world is for me and others to be more conscience of how we treat one another and the planet.

Cheers, namaste, aloha, and au revoir!


In 2007 Lauren joined up with Carol Statella the multi talented string poet, and together they gave the traveller a new dream to visit. A soundtrack for shadows made by firelight, dancing on the wall.

Carol Statella of Rosary : 2007 has been a holy blur. Since spring, opportunities to play and listen and absorb have come in quick succession–to where it’s now time to STOP and daydream, get fallow. Winter is a good time for that.

Ronnda Cadle & The String Poets made a CD that we are endlessly proud of.
Playing with Lauren Fincham (in Rosary) and my dear friend Ron Hipp (fingerstyle extraordinaire) has been nourishing and boundary stretching. Rosary’s EP is in production, and we plan to make it available soon. I hope we’ve made some people feel good when they listen, or just Feel.

In 2008 I want to bring more technical tools to the table in service of expression, and to generate more original sounds in addition to responding to the sounds of others. Whenever I go onstage, I think about what each audience member went through to get to the venue that night. I wonder why they came…what their inner landscapes are like, and how we as transmitters of music can dance in those secret places.
May the muses dance with you in 2008

Ron Rutherford

I wrote this as a review for Ron’s release ‘Lone Wolf’ on CDBaby. This is the sound of the Cowboy, the Truck driver, the Poet, the Ordinary Guy. This is the sound of the great open spaces at long past midnight, when the heart is fearful and the soul is lonely. This is the sound of a brightly lit bar, full of noise laughter and raw, honest music.

This is not afraid to sing of friendship and love and loss. This doesn’t conform to fad or fashion and doesn’t pose. It is as pure as dawn in the mountains and as truthful as city street traffic jams.

Ron Rutherford: 2007 was a banner year for me and my music. I launched my album, Lone Wolf, headlong into the podisphere in the fall and met some of the most helpful and supportive personalities in the music business, namely Host/Producer/Podcasters and their shows. The album has been well received with over 50 plays of my songs on a variety of podcasts since early September 2007. I must also thank Internet radio for being so friendly, accessible and supportive by embracing my album on the air. And, a very special thanks goes to you Martin for airing Lone Wolf tracks for your listeners on many of your Next Big Thing shows…the support is much appreciated!

It’s a brave new artistic world and freedom abounds for independent music everywhere as no longer do the old guard music business gatekeepers run the game of when and where ones music can be recorded, promoted, marketed, distributed, aired and purchased. I’m looking forward to 2008 and fully expect the new media revolution on the Internet to further solidify its stronghold on being THE best avenue and platform for all music of any genre aside from live performance opportunities.

My goals in 2008 are to continue to make connection inroads with the independent scene on the web and work an ever-widening footprint with site presences. Visibility and communication are key to staying actively in touch with peers, friends, and fans through social networks and music sites to get the word out and broaden the horizons for Podcasters and independent music in general. There is amazing music being created out there all the time by an army of great independent music artists and I for one can’t wait to hear what the next big thing is in 2008…no pun intended.

Also in 2008 I plan to record my next album tentatively entitled Coyote Dream. I have been very active at writing new material this year and am very excited to unleash the tunes into the wild and send them on the podcast prowl for all to enjoy.

Colour Cold

All tunes by rock bands should be this insanely catchy and crystal pure in their production. Colour Cold have been one of the most delightful bands to work with and release their debut cd ‘Safe From Silence’ in March 08. With elements of hard rock, grunge and metal never overshadowing the pure pop writing this is a band that will OWN the new year. Elizabeth Tsikkos Guitarist for CC, writes a regular column for NBT letting the world in on the highs and lows of an independent band broadcasting all the way from South Africa.

Elizabeth of Colour Cold: With 2008 approaching, we look back and realize the significance of our debut album “Safe from Silence” and how it has changed our perception of the word “independent” for not only our band, but also the many independent artists who we admire and today enjoy great success.
We always knew our first album would be independent, not realizing how important this would be for us as a band and also as songwriters. It is great when fans contact us and ask for new music to be uploaded to our websites, the music that we wrote purely as Colour Cold and gave to the world untouched by anyone except the band and our producer.
Looking back through 2007, we are thankful to everyone who helped and inspired us. 2008 will give you Colour Cold at the start of a long journey, trials are over, and bags are packed. We approach the New Year with more knowledge and crazy ideas than ever before.
There is no way of knowing what the New Year will hold for us, and that is our greatest gift!
We will meet you in the New Year!


Towards the end of 07, it was an absolute pleasure to work with Ollie Hammett and Mark Saunders who provided NBT with one of its best shows ever. Mark talked to Martin Heath of Lizard King Records, and it was shiver inducing to realise that between these two men they were responsible for over 40 top ten UK hits! The show also featured a track from Santogold which made it into the NME’s top twenty singles of the year. Proving once again that NBT is the country you go to find the future.

Barbara Gilles

Another lady who writes on occasion for NBT, this artist makes music for flying. No need for airplanes just plug your mind and soul into one of her creations and you are soaring over exotic strange lands, experiencing the rhythms of gentle dreamers. Her music makes you think of giggling schoolgirls, sensual tangos, dusty attics and sunlight ballrooms.

Barbara Gilles: 2007 has been a great year, and I sense that it has been great for NBT too, I see how many artists were broadcasted and promoted, and for what the musicians in the christmas show (and in every show) say, I know that I’m not the only one who considers you a good friend and an excellent professional. And it makes me happy, because it’s always great to know that one’s friends are doing fine.

My duties for this year are still not finished. Tomorrow I will play a 2 pianos ravel concert with a friend, and on sunday there are two more gigs to go. Only after that I’ll consider myself on vacation (something that I too desperately need).
When I come back from the beach, I’ll start recording my new songs, , although it takes me so much time to make every little step…

Richard Kapp

The term bittersweet could have been invented for Richard and his music. Also the words Wry and Elegant and Quirky. Piano pop at it’s very best, Richard also proved that in the NBT universe distance means absolutely nothing, and wrote and performed on a duet with Barbara Gilles that was the perfect soundtrack for any listener falling in love or just lost in thoughts about who they really were.

The Heise Bros/ The Hit and Mrs

Nelson and Robert Heise brought the maverick spirit of Big Star, the Replacements and the DBs into the NBt world. Using folk and country rock as a start and a way with a rough and ready boogie and a finely tuned sense of Pop with a capital P, the Brothers bands brought excitement back into what was all too often a polite and bland business.

The Heise Bros: 2007 was actually a quite year on the The Heise Bros. & The Hit & Mrs. front. While The Hit & Mrs. released the critically acclaimed ‘Buried in the Backyard of My Heart’, The Heise Bros. band rested. This was partly due to the Bros. moving back to Ohio from Minnesota. In 2008 one or the other bands is going to release a new album. The recent thought is to record a Christian country album to boost sales from zero to something, so in the vein of that idea we recorded ‘Praise Jesus’ for NBT. ‘Sultry Lips’ is an extra track from the ‘Buried in the Backyard of My Heart’. Hope you dig the tunes. In 2008 we hope for an end to the war, Obama for President, to become huge rock stars and Nelson’s baby to be born healthy and happy.
-Nelson, Robert, Stacie and the rest of the THB & TH&M gang

The Histrioniks

In an Alternative Universe Dusty Springfield conceived a love child with any member of the Runaways, while The Pixies and the Bangles danced all night and then made out in the back seat of the Folk singers car. The universes collided and the Histrioniks were born, and gave us their short sharp thought provoking tunes.

Lionel Neykov

Listening to a Neykov tune always becomes a personal thing, it is music for fears and desires kept secret from others, but wishing that everyone could understand. Gentle Folk hymns.

Lionel Neykov: “The past year was crucial for me because I put out my first record. I spent 18 months writing and recording songs locked a room a big red brick wall and very little sunshine. And this process really changed me. I figured out what I really wanted from music, re-evaluated a few things… Holding the finished CD was amazing, being able to say “I made that”, it’s a great feeling. But it was even better to see people buy it and respond to it, that was the true reward. I started this project with big dreams of success and glory and ended up wanting none of it. Just the pleasure to sing my songs, to share my stories, and maybe raise a few spirits. So what are my hopes for 2008? That more and more people get to hear my music, share it with others and spread the word to all the corners of the world.”

Robert Baird

when it came time to write this about Robert, i was frankly stumped for a few minutes, because trying to pin down the essence of his music is just too damn difficult. He is a chameleon, one second channelling the ghosts of the Small Faces, another making perfect powerpop, the next second writing soulfunk tunes and the very next indie at it’s most gleeful

Lisle Engle

One simple thing: the Eagles WISH they still made music this cool.

Lisle Engle: Music has always been a constant in my life. I sang on my first record in 5th grade and got to perform with the Savannah Symphony for their Christmas Concert. I played trumpet in the Jazz band in High school. My father was a minister and played folk songs to the smiles of many. Finding bands like U2, REM, Dead Kennedys, The Clash…. And on and on…. Brought new ideas and ways of thinking that were very different from my private school southern upbringing. I have been fortunate enough to be able to take what I have heard and learned, and be able to transform it all into an expression of my own. I have found that the constant ebb and flow of life have brought songs into my life and then out again… And over time have created a diary of sorts for the waves of experience that have washed over me and then away again. Now at the ripe old age of 41, I now have the ability to create and record as I feel; without the intrusion of the industry machine, telling me what to write, what to say, what will sell. These people who run the business really have nothing to contribute to the creative process of writing great music. Such music comes from the heart and from a desire to express to the world, what the songwriter is feeling and thinking about life that surrounds us all. Most of the bands that I love have never sold a million records. That is probably why I love those bands. Great music mostly comes from the artists on the fringe that are not concerned with the bottom line of record sales, but instead yearn to tell the world something about how they feel about life and their position in it. I now have a child coming to me and my lovely wife Eliza in June and believe that this experience will open doors yet undiscovered to me. I look forward this year to following a new path and seeing where it leads me. I’m happy that the Web has opened everything up to the individual and has stripped the industry of it’s ability to sell mediocrity to the masses. That will continue I’m sure, but fortunately I will not be a part of it. I will continue to write and sing and play what life brings to me and, hopefully, be able to share a little bit of what I am feeling with the rest of you! Happy Holidays! No Turning Back!


The NBT Music Columns : The CyberPR Blog (Ariel Publicity)10


Man Behind The Monitor:  Zack Daggy of MothPod Today we’re interviewing the creator of The Mothpod Podcast to learn a little about his show and ‘the New Media Water Cooler’ 

Trevor:  What got you into podcasting and how did The Mothpod get it’s start? 

Zack:  Well, I’ve been listening/watching podcasts since 2005, but I actually became involved with it in 2006. You see, I was interviewing for a scholarship at the journalism department of my university and the topic of how their online paper could be improved came up. The first thing that popped in my head was podcasting. So long story short, I left there being put in charge of putting together their first podcast, The only trouble was I didn’t know the first thing about RSS! So during the summer of 06 I had a crash course in podcasting that finally ended with me starting my own test podcast called The Mothpod. Funny thing is that this little “test” podcast started gaining an audience. Now 70+ episodes later I’m proud to say that The Mothpod has a solid fan base that it’s still growing.

 T:  What’s the biggest challenge you’ve faced as a podcaster? 

Z:  Time. To be a podcaster, you have to be willing to dedicate quite a bit of time. A typical episode of The Mothpod takes a full week to create. 5 days of pre-production (selecting music, collecting audio bits, etc) 1 day to write the show notes/credits, and 1 day to actually record the show. For special episodes like my Rocktober episode, some times the pre-production work can take as long as a month.

 T:  You seem to be very active on Twitter, what got you into it? 

Z:  I first heard about Twitter on Geek Brief TV with Cali Lewis. It was introduced as “micro blogging,” and it seemed like something worth checking out. Of course, Twitter isn’t much like a blog, but more like a passive chat room. This I found incredibly addictive.

 T:  Why is Twitter important for a Podcaster, Internet Radio Station, etc.? 

Z:  I like to refer to Twitter as “The New Media Water Cooler.” Almost everyone in new media uses Twitter to talk about what is going in there lives, or whatever gossip they my have overheard. It’s just a really great way of staying connected with your peers.

 T:  Has it impacted your listenership for the Podcast? 

Z:  In a six degrees of separation sort of way, I suppose it has. Through twitter I’ve been able to more easily collaborate with other podcasters, and thus produce a better show. Anytime you can improve your podcast, you’re bound to pick up more listeners. Of course, the increased Web presence of being on any social network helps too.

 T:  Are there any other social media/networking sites your very involved with that isn’t widely known yet? 

Z:  The latest one I’ve been playing around with has been Utterz. If Twitter is micro blogging, then Utterz is micro podcasting. You can post text, images, or audio in each post. Plus it will forward your posts to your Twitter page. It’s pretty cool.

 T:  What’s next for MothPod? 

Z:  Next for The Mothpod is project Mothpod New Year. It’s an extended New Year’s special that will feature 15+ tracks not yet available on The Podsafe Music Network. I contacted a bunch of bands and artists I worked with in 2007, and they were kind enough to supply some exclusive tracks to bring in 2008. So I’m really excited about it.


Check out Mothpod New Year, and all the other episodes at