Volume 2/Volume 3 – MaCu
Reflections – MaCu vs.Cezar (Independent Releases)
Outside all is dirty white mist, offering an unsettling stillness to the world. A world that seems to be waiting for a difficult soundtrack to lie upon it, lift it up, shift it from the ordinary into the serenely dangerous.
I have found that soundtrack.
This music captures the thoughts of ghosts drifting. The ghosts of machines throbbing, thrumming, forgetting what they are for moments in time then sighing back into sequence, the ghosts of children, girls women searching, finding, inviting. This is a waking dream, where the willing listener floats (standing upright) through the opening Wasteland.
This is the imagination of the young factory worker, romanticised slowed down, manipulated. It is also the sound of a dead disco long after the night’s seduction, the souls trapped there still burning hedonistically, equal measures of despair and longing.
In Hollow (which is nothing like that title, or shallow, or momentary) the ghosts become industrial whales crying through the ether.
Yes this music is all about desire. It is a diary of the search for identity, the search by a fragmented soul, for that elusive whole.
There can be no detachment here from the characters created, the scenes that unfold, we are part of every breath, every stutter, and every step towards another doorway into another unknown. The song titles often contradict; play with our senses, our expectations. Nothing is obvious but almost every damn thing is rather beautiful.
Even when co creating with others, the composer never loses her unique sense of the intimate making this become a halcyonian view of the disturbance just out of sight. Her music is not about words or actions, but what goes on BETWEEN those words, those actions.
A startling, major musical find.
Explore for yourself:
Tracks from these releases will be played on the NBT darkelectric this week
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