The NBTMusicRadio Fantastic Themed Hours TWO:The MirrorBall Sessions

The MirrorBall Sessions

10 PM Berlin Time (9 PM UK / 4 PM New York)

From the 50’s RnB, to the 60’s Psychedelic soul, thru to hip hop, techno. electronica. From Progressive House to Dubstep, with huge shots of the best new Rap artists as well.

Featuring:

Kimicoh Kimico, Aloe Blacc, The O Jays, Freda Payne, Speech Debelle, Gift Of Gab, Roots Manuva, Jamie T, Matisyahu, Mr Fix DJ, Dragan Pejic, The Black Science Orchestra, Spanky Wilson, Paul Kalkbrenner, Goldie, Machinedrum, A Guy Called Gerald, James Curd, Louie Vega, Body Language, Sonar Pilot, Team Brooklyn, Dave Gahan, Bobby Collas, nina Simone, Esther Phillips, De la Soul, War, Aceyalone and RJD2, Louis Batey, Blow Flyy, Alice Russell, Godspeed,Dukes Go Up, Ify, Shabazz Palaces, James Brown, Bobby Womack, Last Poets, Apollo’s Sun, Chaptabois, Sly and the Family Stone, Harvey Mason, The Staple Singers, Eddie Floys, Dizzee Rascal,Jr Tha 4th, Skilf, LK, Soul Children, Mel and Tim, Johnny taylor, Chairman Of The Board, THEESatisfaction,Tardishead,Lo Fidelity All Stars, Plan B, Orbital, Scuba, Tove Stryke, Kay 2 and the Strange Days, Schiller, Renegade Soundwave,Eoin Hayes, Suuns, Domino Grey, Bassnectar, Edward, Visions Of Trees, Simian Mobile Disco, Cassius, Fresh Heir, MDNR, Anti-Crew, Copyright, Jazzie B, Levon Vincent, Mantronix,Elaine, Skream, Electritribe 101, Kid 606, Anonym, Aphrodisiac, Sleep Archive, Crystal Castles, Kele,Spiller, Alea Karin, Yana Rizhova,Ganesh, Carolyn Baron and BosBeats, Mos Def, Bennie King, Clayton Savage and Jay Quan, PLXDABOSS, Jam and Spoon, Maya Jane Coles, Drums Of Death, The Knife, Jamie Principle, Frankie Knuckles, LadyHawke, High Luxe, Jamie Sparks, Kimbro, Melogain

and MUCH Much More

http://nbtmusicradio.playtheradio.com/
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The NBT Review 55

Thunder Buffalo – Thunder Buffalo (Dig/Sarathan)

Switch on the stereo of giddy distorted, pick up the speakers as they howl and throw them out of the window, this is the sound of them falling. Hitting the ground and bouncing UP back, into the room.

Like the 13th Floor Elevators, tripped up even more, Thunder Buffalo bend these songs into squawky- screechy bubblegum shapes, as the Butthole Surfers, the Residents hoot and howl and jive along.

All is not chaos and glitter though, swooshed up in eternal 3am sinister reverb stolen from the nightclub of the lost phantoms, Gloomy In Us All swings like a 50s rockabilly ballad time warping into nugget era America. Several songs too evoke the spirit and the sheer infatuation with the blues that Jeffrey Lee Pierce had when he pushed out Gun Club screams into the world.

And if there is some kinda justice in the world then in a year’s time, YouTube will be swamped with earnest young mad men women attempting the pathos of the fragile If I Leapt.

Sure this is not always a comfortable listen, but is delicious and noisy and fuck it really  makes me want to dance. A personal favorite.

http://sarathan.com/artists/thunderbuffalo.html

Thunder Buffalo — Gloomy Download
http://sarathan.com/thunderbuffalo/gloomy/

Turtles EP – War Tapes (Sarathan)

One night REM playing within their most PoP defined pose mated with an Interpol dressed in the finest dark glitter hooks. The resulting child was this new collection from this (for now) LA based band.

We sit enthralled in a cinema full of shadows, the slow burn drama of the song catching on to the light stream, this is bedroom epic, bathroom poetical intense, the harmonies, the illuminated and the secret entangled smooth.

The percussive echo, the heartbeat of the extremely nervous or the over thoughtful, his voice effected, the ragged man asks the ghost to join in the dance, and the music builds, the stormy noise tornados around, around, around, till all is the whip, the wind and the breathing. This is a song for those who want, need, perhaps, the freedom of being scared.

This is a crush on fear, adoration of the vulnerable, and the love of the fatal paths that we sometimes slip down, it is the sound of: when COOL bangs up against warmth and ricochets straight into our studied detachment.

The War Tapes have the potential and yes, the will, to straddle both the mainstream airwaves and like the gloomy magnificence of Michael Gira’s Swans capture the heart and soul of the alternative scene.

Watch out for their debut full length release coming out in May

http://sarathan.com/artists/wartapes.html

War Tapes, Turtles EP:
http://tinyurl.com/itunesWTturtles

Listen to tracks from both these bands on a special broadcast of the NBT Podcast going out on the 9th April

http://nextbigthing.libsyn.com/

Also in April read about Sarathan Records, listen to tracks view pix and vids on a special feature showcased on the new NBTwebpage portal

http://nbtmusic.de

The NBT Review 53

A Little Closer To The Truth – Dizzy Gotheca (Independent Release)

The first song is salvation. The music is fine tension wrapped around this (maybe) angel; I hear the end of the things for the ragged person she is singing to. Will she push him alive or is she taking him further down his destruction? It’s complicated yes, (she sings that and it is true) but it’s also simple. The First song is salvation.

The slow motion of the disco dancer, every detail of the dry ice, the coloured lights, the reflections the darkness just off the floor, the other tumblers tumbling, spinning too, are blurred howls, and every movement leaves delicate traces. You long for the explosion into focus, the release of pressure, but beauty like this has a price and instead you stay, still, entranced, haunted. This is Little Beat.

This is that angel watching an elegant version  of the hedonist game of drinking like its suicide, it is the vibrations of losing it forever and what is on the other side of those vibrations, the angel is the girl and the girl is questioning always questioning, and the music is stretched tight across the exits  allowing the thoughts,  the emotions,  to bounce there in the spaces of the room.

The drama is in the shadows, in the space, in the near empty, the indefinable drop, fall into this and allow yourself the freedom of not knowing, where this seduction will take you.

The musicians take this fear and make hymns. Modern electronic hymns.

http://www.dizzygotheca.com

Catch Dizzy Gotheca on the NBT Dark Electric podcast

http://nbtdarkelectric.podomatic.com/

Illusia – DarkLily (©Vyolette Svana)

Do you fear, but love the dreaming, the letting go? Do you dread and desire travelling into the strange virulent mists of some unknown ‘other’ world? Do you find this fear enchanting, and with deep breath and heart beating hard, wish to succumb utterly to it.

Then this collection is for you.

Sometimes we enter sepia tinged room full of old sunlight and hear the piano making crooked echoes against the cobwebbed experiments , sometimes we are shown through a haze, tragedy and despair, disasters from ‘ago’ taken from fading pages and made new, not shiny though, heartbreaking yes.

The gloom of mythology, the heaviness of this sweet relationship prison, in the drama and wonder of that hell, the singer/composer finds slithers of bright white hope in the sweet torment, makes it quietly erotic exotic mmmm we can almost hear her smile.

Deeply romantic, unafraid of the poetical, darklilly keeps her stories and sighs firmly rooted in the speculating, questing soul of the modern electronic artist. Her creations are measured and classical almost aloof, yet never too detached, they engage us, bombard us with thoughts and regret and deliverance.

You can download this exquisite album here:

 http://www.darklily.co.uk/

Illusia is the NBT album of the month for April

http://nbtmusic.de/page11.php

Darklily can be heard on the NBT Dark Electric podcast

http://nbtdarkelectric.podomatic.com/

AND the NBT Flagship podcast going out on the 1st April

http://nextbigthing.libsyn.com/

The NBT Review 37

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Songs Of Sins And Redemption – The Molenes (Independent Release)

Take in the purity of Roots Americana, dirty it lovingly with hints of feedback, splashes of political anger and huge gulps of driving rock n roll, and you have the first two tracks, the gateway into the world of very human very fragile saints, and  sometimes beautiful sometimes scary and sinister devils.

As just music this collection is oh so easy to fall in love with. There is not an instrument out of place, no arrangement over blown or underdone, and the nuanced interplay between musicians (who follow each others rhythms as instinctively as brothers) is thrilling.

Of course it’s not just about the playing and the tunes, but a journey towards the light with all the perilous thoughts and shadowy images that the odyssey entails.

Stealing from the track, ‘Bring the Bottle’ these are often snapshots onto a world that is ‘One Righteous bloody mess!’ and as the cover of the CD suggests, there is  an allure to the decay, there is something deeply uplifting in the fact that the broken souls will keep standing, keep moving on.

And the Molenes will be the dance band they party  loud to, in wicked stops along the way.

Find out more here

http://www.themolenes.com

And you can hear the Molenes on this episode of the NBT podcast

http://www.nextbigthing.libsyn.com/index.php?post_id=495389

Foresight/Poorsight- The Johns (Ghost In The Cupboard)

Rewind the film, slowly. A train sneaks back tragic into a tunnel, and the sun slipSlides behind a cloud. With rolling thunder, the drama of ‘Sun For Days’ unrolls. This is the end. NO, actually this is a seductively brutal beginning.

The theme of loss continues, made strangely sweet with a power pop chug, kinda like Mathew Sweet fronting a new wave Byrds. These are songs about dancing as close to the edge as possible, sometimes accepting that the fall is the most wonderful thing, these are songs that SEEM to be about giving up, but look/listen closer and they are about surviving the dull chaos of break ups and fractured dreams.

The singer is a cynic, the singer is conflicted, and the singer is a romantic, he searches through the shudders of the songs, through leftovers of a rock n roll explosion, the shattered remains of affairs and love, and he tries to explore the truth of things. And with this band, these are his findings.

This is no one man quest though; this band is a whirling strumming thrumming beating heart of a music machine, creating swirls and harmonies, a subtle modern wall of noise.

Through the loneliness, this band wants to reach out and touch you.

Find out more here

http://www.thejohnschicago.com/

Catch songs from this album on this weeks NBT podcast.. Going out this Friday

http://www.nextbigthing.libsyn.com

The NBT Review 36

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Heart Anchors  – Dune Tran (Independent Release)

Think of a movie. The beach at dawn, the film sped up, the sun thrown UP out of the darkness into the sky, the waves crashing senseless lonely.

Think of this movie. The 1st track of this tender collection is the soundtrack to that movie.

The movie slides into sepia crackle, and we see a young girl skip, dance kinda innocent, then falter walk backwards, the weight of the questions push at her, almost stop the shimmy, too much passion here though, the dance continue, the kites fly.

She can’t help herself she wants to always to hop, canter, swing herself around, then the Internal of the song takes her, things get slower, she allows herself to fall, hoping no, knowing, the music will catch her.

Time shifts, TimeChanges, this is sparkles, sparkling in the darkness illuminating lost lovers sitting quiet on cluttered couches, memories craving release.

Her songs are complicated things who wear a subtle orchestration, they are ballet dancers, half child half ghost.

Imagine another movie. A window, a fluttering curtain, the night sky, now here, now hidden.

She sings from another room, where moonlight shines through another window.

She invites you to dream.

Find out more here

http://www.dunetran.com

My Blacks Don’t Match – Darren Gaines and the Key Party (Independent Release)

Oh I adore this dirty Swing.

Gaines takes his ragged words and pokes them into the skin of proudly bruised songs, howling poetic, scaring the neighbors while seducing their daughters.

Track ‘She Says She Does’ is a poker game between Jim Carroll and Lou Reed, the shock sweetened by jiving horns and vocalist/violinist Sara Syms adding grace to the battle.

This is an alternate universe’s Blues Brothers, who kept their love of classical soul, but shared a beer or twenty with Joe Strummer and played messy and murky with Patti Smith.

While the swagger is infectious, this music has heart too, huge beating bleeding wanting pounding.

There is a true sense of urban epic in these songs that match a beautiful and honest story telling, images, harsh, vivid, intensely moving, completely unforgettable, spill out of the tunes and skitter restlessly around the listener’s soul.

Already, for me, an album of the year.

Find out for yourself

http://www.thekeypartynyc.com/

Hear Darren Gaines and the Key Party on this episode of the NBT Podcast

http://nextbigthing.libsyn.com/index.php?post_id=495389

and Dune Tran on this weeks broadcast (either Thursday or Friday)

 http://nextbigthing.libsyn.com

The NBT Review 30

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Shotgun Daisy – Stacie Rose (Enchanted Records)

She is not going to wait around while we wake up, in her driving harmonic bittersweet world, she believes and sings for the strong, the ones that will find their way aided by a giddy mix of the ragged poetic and the sleek rock n roll.

Her instincts tell her, that love saves, that her tunes can be played without compromise floating subtle on summer TV screens broadcasting emotional misadventures.

She left turns into tales of break up, twisting the confession/recollection by getting Shawn Mullins to join in the chorus, adding dimension, deliciously distorting the point of view.

Sometimes the words tumble out double speed like school kids as the bell rings, sometimes the words sigh and float, stretched across the music like torch songs refugees that have found their hook.

Sometimes this all happens in the same song.

 She is comfortable with soul ballads and country raunch.

She is Stacie Rose and this is Shotgun Daisy

Find out more

http://www.stacierose.com

The Big Pretend – All Day Sucker (Trademark Entertainment/ big WOW music)

Outside while the wannabe starlets hustle and the cool boys glide, where the Eagles and America are NOT the wild bird and country, but the larger than life glossy surreal epic music groups, all is hot chaotic, beautiful and lost.

Inside the theatre lights dim and the movie begins. The Big Pretend begins.

First, there is car chase, Hollywood love letter style, driven by ‘Who’s Next’ keyboard riffs and frantic country rock vocals.

Then wry prayers, soaked in harmonies that even a cold lost European will know and love as Californian, and then baked in the POP oven Warren Zevon was known to use.

These are often sunny, sun glare bright stories, waiting while in midst shimmer, to flip over to the darkness of the over populated, ultra lonely big city night.

All Day Sucker love, have been seduced, have been hurt, scarred, saved by their city, and these are the songs, the films of the mind, that show it.

And in Riddles and Rain, this sensual tryst ‘tween the cinematic and the closely observed, transforms into a subtle classic that Brian Wilson and Craig Finn would be  proud of.

Find out more here

http://www.alldaysucker.net/

Hear both of these bands and a lot more on the NEXT NBT Podcast 26th April 09

http://nextbigthing.libsyn.com/

The CyberPR (Ariel Publicity)New Media Pioneer Interviews 17

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Adam Hiniker

EarCandy New York

Q:  How long have you been broadcasting/blogging?

We created Ear Candy about a year ago and recorded shows sporadically for the first nine months. It was just December that we started doing a weekly show.

Q:  In your opinion, what does a good song need to consist of?

In my opinion it has to have an edge or some very apparent emotion behind it. I don’t necessarily think a song has to be cutting edge or innovative to be great (though it helps) as long as an artist shows skill in their craft and confidence in how they deliver it.

Q: What is your favorite band or favorite genre of music and why?

The genre I listen to the most is hip hop, it’s an extremely raw form of expression considering the overhead is very minimal and  so much can be said in just sixteen bars of a hip hop verse. I grew up listening to hip hop and always liked it for superficial reasons but in the early nineties I discovered their were acts out there that wrote about things I could actually relate to and that’s when I started getting ideas about producing music.

Q: What changes in content laws, broadcasting rights, etc. have effected you most?

With all of the podsafe music resources and the fact that most artists and labels are more than willing to let us play their music these types of changes haven’t affected us much.

Q: A recent study found blogs to be more effective than MySpace in generating album sales, do you feel that that is a true statement?

Yes, I think their is a lot of random solicitation on myspace, however when someone blogs about an artist or album it’s a form of reference for the reader who generally values the bloggers opinion. Blogging is a great form of promotion for artists and also gives music fans an opportunity to be a journalist, I think this drives sales in a way that making mix tapes used to but on a much larger scale.

http://www.earcandynewyork.com/