The NBT Review 81

Waste The Right

Build It Down

Dr Night

Last Planet

Nu Dead Pretty – Mach Fox (all Independent Releases)

Set the controls for mirror ball and strobe light, where the dancers are mysterious and the shadows skitter shatter, conceal and deceptively reveal. This is nightclub music with a dark pulsing heart, and a pop grin, it is alien rock Guitar shot out at girls with fizzy drinks and sly sweet smiles. It is post new romantic, nostalgic new wave twisted modern.

Waste The Right combines that ‘dance with sadness’ thrill, and incorporates the militaristic almost nihilistic grooves of Nitzer Ebb (a cover of Hear Me Say) though adding an ironic funk to the proceedings.

Build It Down (released the same year as WTR) now has a detached sensuality to it, the guitar is slinkyFluid, it sneaks and crawls all over the melodies, and Miss K adds a chilled eroticism to the mix, making the songs of fright and fear and longing ambiguously seductive. Their cover of the Kinks ‘All Day and All Of The Night’ skews the sentiment in much the same sardonic way Wall Of Voodoo once did when they covered Ring Of Fire.

Dr Night is the artist virtually alone, and in Dying To Save he delivers his first warped epic, skittish samples drift over a trancelike journey, the tense guitar and sleepy vocals recall both travel and sleep merged into a beautiful blur.

This song is re-imagined on the next EP, Last Planet, and there is now a power to the artist’s writing and production, he is comfortable there in his strange space and it shows, the ghost of Frank Tovey still haunts and pursues the songs souls, but these now are Mach Fox creations, set in the here and now, speeding calmly forward into the Night’s adventures.

Nu Dead Pretty is exuberant, electro warrior cool, wicked, the balance of raw and dirty balanced just right with the machine cruel, we have listened to the star being born slowly, delightful, with screams and shudders and glorious shrieks, with the composer adding his own remote narration, keeping us dancing, enticing us to think and perhaps even surrender.

These EPs are only the tip of the building that Mach Fox has built, is STILL building, go here

Follow the links and download these collections for your self

 Or even better buy them (you make the price) http://machfox.bandcamp.com/

Hear trax from Mach Fox on the NBT Dark Electric Podcast going out on the 3rd August 2010

http://nbtdarkelectric.podbean.com/

If you use Internet Explorer you can stream snippets of a couple of the Tunes here

                               http://www.nextbigthing.co.za

  (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

   A chart made up from browsers rating and listening to the song streams can be found here:

                                      http://nbttopten.podbean.com/

Let’s get some Electro on the charts ok!

The NBT Review 68

Fly Gallery – Frequency Theater (independent release)

One mans journey into the heart beyond the switches, travelling along the giddy current, he rides the dark sparks into a unique messy world.

The intro hints at the disturbance to follow, ancient voices saved perhaps from apocalypse, counterpoint the alluring lethal future siren full landscape.

Fragile mechanical rattle shivers for a few seconds then POW the song explodes, driving martial foot-stomp brave, call to arms call to dance call to PoP over artifice, call to commercial breakthrough, the chorus will save us.

Then we feel the wave motion, sultry swim of the Modern Myth, recalling the exact moment the young boys from the Depeche machine, plugged in, tuned out and lost their innocence and found a wry sense of melody.

                                Ahh the poignancy of the retro electronica, the percussion slinks in, all criminal rough telling us this ballad is being lead, willingly, lovingly to the slaughter.

This Theatre loves the chaos, but loves the sadness too, hear how the almost drum and bass chaotic rumbles detached as a gentle tune unfolds. This is Frenzy sure, but a wry thing indeed.

The vocals are unwrapped from their steel camouflage, allowed to be flimsy even personal, within a song that dares to be modern soul, the orchestral syrup of the latter day urban.

The pilot of this rocked up spaceship, Nathan Butler has a keen ear for hooks and a steady grasp of the human emotional behind the flickering effects. These are chart songs shooting down from a cool planet.

Finally the squelch slow build as we are pushed Over The Edge, sculpted tension the song spirals seductively outward.

The bodies undulate, the trance smokes in, and all too soon the song gurgles out.

Take a breath.

Press play

Begin the journey again.

http://www.frequencytheater.com

Hear tracks from this album and thoughts from Mr Butler on the NBT Dark Electric Podcast going out on the 17th June 2010

http://nbtdarkelectric.podbean.com/

And later in June on the NBT Flagship Podcast

http://nextbigthing.libsyn.com/

                              If you use Internet Explorer you can stream snippets of a couple of Frequency Theater’s Tunes here

                               http://www.nextbigthing.co.za

                           (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

                             A chart made up from browsers rating and listening to the song streams can be found here:

                                      http://nbttopten.podbean.com/

The NBT Review 53

A Little Closer To The Truth – Dizzy Gotheca (Independent Release)

The first song is salvation. The music is fine tension wrapped around this (maybe) angel; I hear the end of the things for the ragged person she is singing to. Will she push him alive or is she taking him further down his destruction? It’s complicated yes, (she sings that and it is true) but it’s also simple. The First song is salvation.

The slow motion of the disco dancer, every detail of the dry ice, the coloured lights, the reflections the darkness just off the floor, the other tumblers tumbling, spinning too, are blurred howls, and every movement leaves delicate traces. You long for the explosion into focus, the release of pressure, but beauty like this has a price and instead you stay, still, entranced, haunted. This is Little Beat.

This is that angel watching an elegant version  of the hedonist game of drinking like its suicide, it is the vibrations of losing it forever and what is on the other side of those vibrations, the angel is the girl and the girl is questioning always questioning, and the music is stretched tight across the exits  allowing the thoughts,  the emotions,  to bounce there in the spaces of the room.

The drama is in the shadows, in the space, in the near empty, the indefinable drop, fall into this and allow yourself the freedom of not knowing, where this seduction will take you.

The musicians take this fear and make hymns. Modern electronic hymns.

http://www.dizzygotheca.com

Catch Dizzy Gotheca on the NBT Dark Electric podcast

http://nbtdarkelectric.podomatic.com/

Illusia – DarkLily (©Vyolette Svana)

Do you fear, but love the dreaming, the letting go? Do you dread and desire travelling into the strange virulent mists of some unknown ‘other’ world? Do you find this fear enchanting, and with deep breath and heart beating hard, wish to succumb utterly to it.

Then this collection is for you.

Sometimes we enter sepia tinged room full of old sunlight and hear the piano making crooked echoes against the cobwebbed experiments , sometimes we are shown through a haze, tragedy and despair, disasters from ‘ago’ taken from fading pages and made new, not shiny though, heartbreaking yes.

The gloom of mythology, the heaviness of this sweet relationship prison, in the drama and wonder of that hell, the singer/composer finds slithers of bright white hope in the sweet torment, makes it quietly erotic exotic mmmm we can almost hear her smile.

Deeply romantic, unafraid of the poetical, darklilly keeps her stories and sighs firmly rooted in the speculating, questing soul of the modern electronic artist. Her creations are measured and classical almost aloof, yet never too detached, they engage us, bombard us with thoughts and regret and deliverance.

You can download this exquisite album here:

 http://www.darklily.co.uk/

Illusia is the NBT album of the month for April

http://nbtmusic.de/page11.php

Darklily can be heard on the NBT Dark Electric podcast

http://nbtdarkelectric.podomatic.com/

AND the NBT Flagship podcast going out on the 1st April

http://nextbigthing.libsyn.com/

The Manik Music Rant: Zorch Factory Records

So, anyway, trawling around my list of links, e-mails subscriptions and Blog reader whatsits I come across a lone line advertising a free download of a French band Camp Z’s 6 track ep. Whoaw…free, I gasp..”This last release mixes electronic

backgrounds along with dark feelings, raw guitars and post punk energy!” says the blurb…colour me interested – I’ve sort of rediscovered the whole French/Euro coldwave genre of the 80’s as of late and have subsequently kicked myself at being so damnably Anglo-centric in my musical gleanings in those bad old days – ok, there was no internet, and the genre was largely ignored by the (Brit/USA) press of the day any mention of which was probably quickly passed by by the likes of I (not being able to see anything in the flesh as it were, also didn’t help), I mean, I thought Plastic Bertrand was all there was!! So, consequently I devote the latest Bullets From the Belfry (and this blog) to Zorch!

 

 

 

 

 

Subsequent investigation led me to Zorch Factory Records and their eclectic stable of artistes from Europe (and other parts of the globe) in the dark indie/goth/deathrock/postpunk/coldwave/electronica field of things that i generally immerse myself in. Headed up by Manu, member of aforementioned CampZ, his dream to present a forum, a home, a promotional tool for some of the many truly independent artists forging out into the interwastes trying to elevate themselves to better things. All the material is published under Creative Common License free to download. His aim to create a fanbase for the bands so that interest is tweaked, demands made and the music industry swings their way, whether interest by some established label or enough interest is created to make music sales of future product viable. Manu’s dream is based on love, not profit, the artists free to move on to greener pastures whne their boat comes in!

 

 

 

 

After hastily glomming the CampZ goodies : a dark buzzsaw caterwaul of postpunk excess- with strong leanings back to coldwave, overlaid with Manu’s harsh, angry vocals – no fake Brit/Amerikan tones here….without meaning to sound condescending, the French accent is perfect for this music! I went for the rest with glee.

 

 

 

 

Joy Disaster, also from France have a recent live concert recorded in Italy up for grabs. I suppose any band described as postpunk and having ‘Joy’ in their name is going to be compared with, ah, Joy Division…well yes, the comparisons are there, perhaps an early JD, maybe even Warsaw rather, harsh, brash, angry (I entertain the notion that if Warsaw formed today and listened to Interpol a lot…) Cyclic, all music is cyclic but in doing so it does not have to immitate, re-invention is part of the game, re-interpretation, it does not have to cater to some fixed audience to ‘fill a dance floor’ ( She Wants Revenge….pheeggh!!!). I take emotion over polish any fucking day – I see big things for Joy Disaster.

 

 

 

Mmmmmm, Mexican goth/punk/deathrock, I love it, ever since I frightened folk off the dancefloor with the likes of Los Meurtes Vivientes and the Ultrasonicas! The Acid Bats have a couple of releases on Zorch Factory, an 8 track ep, ‘Exhumacion’ and a earlier demo recording…fabulous stuff, can’t wait to ever be invited back into a dj booth with this in my must play box!! (If I promise to play at least one She Whines Revenge track, can I ? Can I???)

 

 

 

The more eclectic Crimson Muddle do a wonderful cover of Joy Divisions ‘Means To an End’ on their ep, their sound veering into almost steampunk territory, but still with that endearing coldwave feel.Lamentations Psychotiques and Nuit d’Octobre round off the ep in a darkly whimsical manner.

 

On and on, it’s like stumbling into a sweet shop of delights, Les Modules Estranges evoke the spirit of Siouxsie Sioux on tracks like Crash, Cocteau twins on say Am I Blind. lovely vocals, fragile guitar, veering toeards but not drowning in shoegazer territory. More tracks including remixes are available here.

 

From Spain come the enigmatically titled Red Crayon Aristocratic Club, think Yeah Yeah Yeahs meets Ladytron whilst picking up The Cranes on the way… A splendid cover of The Clash’s ‘Stay Free’ is a gem on the cd.

 

Germany’s Monozid have 2 ep’s available on the Zorch Factory site, think postpunk, think Chameleons, early Psychedelic Furs, Wire here.

 

Rounding off the podcast this week- The Trespass, perhaps the most traditional goth/deathrock band on Zorch,’ traditional’ being a misnomer really in that their roots are solid postpunk, a bit of Echo and the Bunnymen lilting through their epical sweeping songs.

 

All in all, a valuable cause to support..and download, and hopefully, eventually, lay hard cash down for! Zorch Factory Records, Bullets From the Belfry salutes you!!

 

http://www.zorchfactoryrecords.com/

 

Listen to some of the amazing Zorch artists here on the BFB Zorch Factory Records Special Podcast

http://nbtdarkelectric.podomatic.com/