The NBTMusicRadio Fantastic Themed Hours TWO:The MirrorBall Sessions

The MirrorBall Sessions

10 PM Berlin Time (9 PM UK / 4 PM New York)

From the 50’s RnB, to the 60’s Psychedelic soul, thru to hip hop, techno. electronica. From Progressive House to Dubstep, with huge shots of the best new Rap artists as well.

Featuring:

Kimicoh Kimico, Aloe Blacc, The O Jays, Freda Payne, Speech Debelle, Gift Of Gab, Roots Manuva, Jamie T, Matisyahu, Mr Fix DJ, Dragan Pejic, The Black Science Orchestra, Spanky Wilson, Paul Kalkbrenner, Goldie, Machinedrum, A Guy Called Gerald, James Curd, Louie Vega, Body Language, Sonar Pilot, Team Brooklyn, Dave Gahan, Bobby Collas, nina Simone, Esther Phillips, De la Soul, War, Aceyalone and RJD2, Louis Batey, Blow Flyy, Alice Russell, Godspeed,Dukes Go Up, Ify, Shabazz Palaces, James Brown, Bobby Womack, Last Poets, Apollo’s Sun, Chaptabois, Sly and the Family Stone, Harvey Mason, The Staple Singers, Eddie Floys, Dizzee Rascal,Jr Tha 4th, Skilf, LK, Soul Children, Mel and Tim, Johnny taylor, Chairman Of The Board, THEESatisfaction,Tardishead,Lo Fidelity All Stars, Plan B, Orbital, Scuba, Tove Stryke, Kay 2 and the Strange Days, Schiller, Renegade Soundwave,Eoin Hayes, Suuns, Domino Grey, Bassnectar, Edward, Visions Of Trees, Simian Mobile Disco, Cassius, Fresh Heir, MDNR, Anti-Crew, Copyright, Jazzie B, Levon Vincent, Mantronix,Elaine, Skream, Electritribe 101, Kid 606, Anonym, Aphrodisiac, Sleep Archive, Crystal Castles, Kele,Spiller, Alea Karin, Yana Rizhova,Ganesh, Carolyn Baron and BosBeats, Mos Def, Bennie King, Clayton Savage and Jay Quan, PLXDABOSS, Jam and Spoon, Maya Jane Coles, Drums Of Death, The Knife, Jamie Principle, Frankie Knuckles, LadyHawke, High Luxe, Jamie Sparks, Kimbro, Melogain

and MUCH Much More

http://nbtmusicradio.playtheradio.com/
TuneIn (for blackberry and android):NBTMusicRadio

iTunes: Click on ‘Advanced’ then ‘Open Stream’

and paste: http://listen.radionomy.com/nbtmusicradio.m3u

stream thru your Media Player: http://listen.radionomy.com/nbtmusicradio.m3u

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The NBT Review 84

The Electric Mist – Metaform (Just Records)

Imagine if you will, an intimate adventure, where we try to capture the electronic soul from the ghost of a disco dancer. The ambiguous tale of the doomed and the sensual, told with a songwriter’s detachment, and a sound creator’s charm.

What is kinda thrilling about this collection is the way even languid slinky Soul, is seductively corrupted by an Indie Kid with a love  of noise and movement, and rock song hooks that prowl the spaces. And for once, the use of production tricks on the vocal add to the suspense, even the humanity in the songs, somehow the technician reveals a heart.

The Track OCD is a playful ambient miniature, Coldcut meets Lynch back at his place, for drinks and a sway around the statues. Like a lot here it hints at the hedonistic, the full on rave ruckus, but prefers the instability of the outsider.Elsewhere it’s pretty cool hearing an American take on the challenge of the Brit dance indie bands such as Bloc Party and get it totally right, this is indeed the Future Frolic.

Kele hire this guy for some remix work right now.

Metaform even finds a place for giddy theatrics crafting a piece in, ‘’It’s Gotta Be’’ that is all camp Soft Cell, totally free of the retro 80s prison though,  with slivers of Flying Lotus and other such innovators.

And in, ‘’Introversion’’ there is even a droll take on the sort of Instrumental dream pop that the Love Unlimited Orchestra would attempt, The Isley Brothers 3007. Smooth but not smooth, it goes down a treat.

This is not for the purists (of any genre) but then again what fun cool music really is? And will make as many enemies as life long fans.

Which one will YOU turn out to be I wonder.

Find out here: http://metaformonline.com/fr_store.cfm

Metaform will be featured on both NBT podcasts during August and September

http://nextbigthing.libsyn.com/

http://nbtdarkelectric.podbean.com/

If you use Internet Explorer you can stream snippets of a couple of the Tunes here

                               http://www.nextbigthing.co.za

  (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

   A chart made up from browsers rating and listening to the song streams can be found here:

                                      http://nbttopten.podbean.com/

The NBT Review 69

Starlit Apocalypse

Air

Endless – SNMT (Black Flower Music)

Plus Brand new Tracks from an upcoming release

I decide to listen to this music in the basement of my postwar (forever tween modern and ancient) German small town flat. I have this feeling that the ambience of the musty dark room full of wounded and dead appliances will suit these tunes. That as the sounds drift over the discarded machines of fun and comfort, and cardboard boxes packed to overflowing with no longer loved or listened to vinyl and comics begging for a future generation to love them, the rust and the glitter, the oil and the blood contained within the ragged rhythms will reveal themselves.

I have Three sets to go through plus new songs yet to find a home, and as a tense grey storm brews out there on the street I press random, then press play, lean back against the hard concrete and let the musicians have their chaotic way with me.

So if you expect some sort of order, the stability of one collection then the next, you are in the wrong place. This is for the senses, for the emotions provoked.

Oh I love the slow crawl into AWAKE that the first tune offers, airspace full of the crackle and shock of the moody electric. On this Floating Bridge, one must tread carefully, because it shudders and this is no silent vacuum of stars, here the squeaks shoot out sharp, always tempting the delicate balance to betray itself.

In this Graveyard, the ghosts are bloated, stumbling raw, they puff outward abrasive, yet believe (to the very core or their distressed hearts), that they can hug you, wrap around your soul, blanket like. So they chatter picking fraught phrases from the static. They are lost and there is something beautiful about that.

Now it’s time to fly once more, into a drift that is both unsafe and gentle, a shy startled seductive trip somewhere Between Space. The calm is deceptive though and The Turbo Lolita burns, as she drags us into her, this is Ragnarok , but no Gods on this level, these are men women, demons swimming in the heat, the confusion of yesterday’s failed flirting and tomorrows heavy rampage. They throw out the thoughts in waves that, to LoveYou is to fall, is to surrender to this fine noise, to perhaps find the melody where you may and ride it deeper (not AWAY) but inwards.

Then abruptly the Charm of an orchestra full of the scared and the hesitant brave, take a seat in the empty auditorium watch the blur on stage, the colours shifting as the music finds ways to heal itself. the Deep White entices, you want to dream here, though the unease shifts, sighs in its sleep abandoned baby birds, (clockwork or digital or just projection?) nag at us, to not relax too much, don’t let the REM movement take over

With this music

You may never come out.

Find out for yourself how one band makes so much chaos and beauty. Download from a vast selection of great albums here

http://blackflowermusic.com

You can hear tracks from all these sets on the next NBT Dark Electric podcast going out on the 17th June

http://nbtdarkelectric.podbean.com/

And Black Flower Music will be the featured label in July on the http://nbtmusic.de website.

                              If you use Internet Explorer you can stream snippets of a couple of SNMT’s Tunes here

                               http://www.nextbigthing.co.za

                           (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

The NBT Review 65

Song Selection from 88 Kilos Of Sunshine

It is this writer’s prerogative to not name the songs, just play them in order from bottom to top and attempt to capture the illusion of understanding and the reality of this music’s allurement.

The instrumental starts it all. Hollywood played in an empty small town hall. The drums as willful steady as a drunk’s inconsolable rage the guitar is devious widescreen thoughtful. The Clean here is a wicked clean, a Neil Young solo tempered by intellect and latent horror. This is a tune Stretched between school boy yearning for the redemptive solo, and the modern detachment.

Then chant then confess swim in the warm bubbles of regret, this treated ocean this seductive call and wanting response. Don’t want to get lost in this?  I couldn’t, ‘’even if I tried.’’

As John Peel was known to say, ‘this one fades in slowly’’ this is warped Americana played in the old house across the road, you stop and listen on your way home and weep, and leave strangely enriched. The ragged reserve of the (treated) singing, the two personas within connects you to this drama, traces still there even as you lock your front door walk to the living room and switch on the babbling evening news.

Thank fuck for a modern pop maker whose idea of the 80s is darker than skewed memories of big hair and Duran Duran. I recall fragile 7 inch singles cased in cardboard two tone manifestos.

This song is a slow growl, scary and beautiful. That’s all that needs to be said except perhaps  listen to all the songs on the page and look for it. You will know it the second you hear it, and then your day will change slightly, no matter if you are sneaking time from office work, or surfing idle in your bedroom.

Another slow fade in, another capture of the minutia of a moment in time, this is subtle true alternative.

If you have lost your faith in the power of music to provoke and please, to entrance and edify, then this collection shall attempt to find it for you.

Go NOW and listen

http://www.reverbnation.com/88kilosofsunshine

You can hear tracks from the band on the NBT Podcast going out on the 27th May 2010

http://nextbigthing.libsyn.com/

And this will be the featured artist on the NBT portal page in JUNE

http://nbtmusic.de/

Also check out a couple of tunes (if you use internet explorer) on the

http://nextbigthing.co.za website (after the intro just Click on the ‘#Just want to look around# text it will take u thru to next page).

The Amchitka Concert 1970

From the Greenpeace Canada website

‘’The two-disc CD takes you back to October 16th 1970, when 10,000 people gathered in the Pacific Coliseum in Vancouver to hear Joni Mitchell, James Taylor and Phil Ochs and support the very first Greenpeace action ever taken – the legendary voyage to Amchitka to protest nuclear bomb testing.’’

The Protest was unsuccessful and the testing went ahead, But the War was far from lost and Greenpeace went on to become an extremely powerful Voice for those who cared about the Earth and Environment and against those politicians and business men who through action and inaction threatened the delicate balance of true nature.

NBT is proud to have been given a chance to interview Barbara Stowe, daughter of Irving Stowe, one of the founders of Greenpeace. She is author of the insightful and touching liner notes for the ‘Amchitka 1970’ CD.

NBT: Why the release NOW, why wasn’t this put out in the weeks, months, years after the actual concert, did it have to do with technical problems or getting the release of the Artist’s music from their record companies and so on?

In the beginning, Greenpeace was a local organization consisting of at most a couple of dozen volunteers, and the time and energy needed to see such a project through would have been overwhelming. We were too busy trying to stop nuclear testing worldwide!  My father would have been the logical person to consider such a thing, given his passion for music, chutzpah and his legal background.  But he got cancer and died in 1974.

My family has always hoped that Greenpeace would be able to get permissions and release this music, but just to get the ear of busy artists like Joni and James was a daunting prospect.  In 2003 my brother got the ball rolling by transferring the music to CD, and he presented my mother and myself with a CD each as Christmas presents.  He is a meticulous person and he’d timed each song and crafted a few paragraphs about the concert and the technical recording details.  He even used photos of the artists taken at the concert for the covers.  He realized he’d created something Greenpeace could use as a prototype to seek permissions, so he proposed the project to Greenpeace.  When they sent John Timmins out to Vancouver, I knew they’d found exactly the right person.  John is a founding member of the Cowboy Junkies — a renowned Canadian band — and also a Foundations Officer for Greenpeace, and given his passion for the project, his background as a professional musician, and his experience in activism, he was perfect, and we were very excited.  That was two and a half years ago.

NBT: Have you ever visited Amchitka?

Yes. I was part of the “Bering Witness” campaign in the summer of 2007, when the Greenpeace ship Esperanza sailed to Amchitka.  The whole trip totally blew my mind.

NBT: World Powers are always wanting to re-activate Nuclear Testing, in your opinion is there a solution to this problem, or will Greenpeace and others still be fighting the ‘good fight’ 20 years from now?

The solution is clear.  Nuclear weapons threaten us all, and should be eradicated from the face of the earth.  But I’m not naïve.  I suspect Greenpeace may still be fighting to end nuclear testing in 20 years time.  Nonetheless I refuse to relinquish hope, and I’m glad that leaders like President Obama and Russian President Medvedev are talking about denuclearization. Greenpeace can help hold their feet to the fire and push them to make good on their promises.

NBT: The 3 artists perform and create in ways that are very different to one another, how did this change in styles go down with the audience of the time?

There was tension because everyone wanted to hear their favorite artists, and this electricity was intensified by the fact that it was one of the most politically charged days in Canadian history.  Martial law had been declared at 4 o’clock that morning, in an attempt to quell terrorism in Quebec.  So when Phil Ochs, who is a fervent activist, got onstage and started to play, the mood was heightened. Someone put up a banner about the War Measures Act (martial law) and someone else tore it down.  And you can hear Phil on the CD, saying “I never played in a police state before”.

But people were ultimately respectful, and in this sense, the whole concert became a kind of visceral metaphor for peace.  Because there could have been real trouble, but there wasn’t.  I mean, there was zero security!  All the ushers that night were volunteers who had no experience, and everyone just sat wherever they liked…you can see in the photo, look at the floor, there are no aisles, the whole floor is covered with people sitting on every inch of it!

Part of the reason there was no trouble was respect for the cause, and part of it is down to Chilliwack, who played this brilliant set that got us on our feet dancing for joy.  I’d never heard Chilliwack live and it was a revelation.  Recently I asked Bill Henderson, the lead singer, how they did it, because one song seemed to segue magically into another, I can’t even remember any separation.  He said that the way they were playing then was to start with quiet sounds that served to ground both themselves and the audience, and then gradually develop those sounds into melodies and rhythms, and eventually find a way into one of their songs, and then into another, and so on.  It takes a lot of trust and vulnerability to do that and I think the audience really responded in kind, so that a special bond developped between performer and audience. And then, James further chilled out the crowd, I’m still amazed at how he did that, it felt like we were almost hypnotized with bliss.  He was singing us lullabies, you know, “Sweet Baby James”…”won’t you let me go down in your dreams…and rockabye sweet baby James”.  And Joni, she just let her lyrics speak: “bombers turning into butterflies above our nation”.  It was really beautiful.  I sound like I’m back in the Seventies now, don’t I?

NBT: Did you get to meet the singers? Offstage what were they like?

Phil Ochs came to our house for dinner before the concert.  He was outraged that we were under marital law. Canada was considered such a benign country, a peaceable kingdom. But Phil kept his fury in check when it came to personal relations.  He gave my brother a cigar from Cuba, which Bobby treasured for years.

When Phil came back to our house several years later on another tour I had the impression of a gentle and deeply tormented man.  He was so depressed that when I later heard of his suicide I was very much saddened but not really surprised.

I didn’t get to meet Joni, but my brother did.  He went to the airport with my father to pick them up.  He told me there was only room for one other person in the car besides my father, and that was him, and I had to go to school!  And I did!  I’m still kicking myself.  But people at school were psyched about the concert, so that was pretty cool.  My brother saw Joni and James kissing in the back seat of the limo, they were in love.

I met James backstage on a later tour. He invited us into his dressing room and he had that Southern charm.  He was extremely cool and good looking and I’m sure I blushed to the roots of my hair!

NBT: You mentioned your Dad’s love of all forms of music, in 1970 what were the Teenagers such as yourself listening to?

Some of the favorites for my crowd were Joni Mitchell; The Beatles; Crosby, Stills, Nash and Young; Leonard Cohen; Laura Nyro; Jefferson Airplane and Simon & Garfunkel.  We also loved Chilliwack and Small Faces, and until the concert, I hadn’t heard James Taylor, but after I heard him I became a big fan.

NBT: Why is Chilliwack not on the CD?

What happened was, during the concert, my father saw a tape recorder under the stage, and he went to the sound engineer and said, “Dave, I see you’re taping this.”  Dave said yes, I always tape my concerts for technical reasons, and Dad said, I want a copy.  Then he went to the artists’ managers and asked for permission to keep the tape for personal use.  All the managers agreed, except Chilliwack’s. So the copy that my family had all these years never had Chilliwack on it.  During the past year, Bill Henderson launched a valiant search to find the master tape which might have still had Chilliwack’s portion on it, but he couldn’t find it.

NBT: The proceeds of this release, what will Greenpeace use the money for?

To support Greenpeace campaigns: climate change, forests, oceans toxics, sustainable agriculture, disarmament and peace.

NBT: In your opinion: Were the 70s more optimistic/hopeful than this day and age, could this concert have happened in 2009? This release must bring many bitter sweet memories to you; tell us how you see the Political world, the music world. Are there still free world activists willing to risk life and limb to change the status quo? 

Oh, why not ask me some hard questions, Martin? Ha ha ha ha!  Actually I love questions like this that make me think.  To answer your first question:  Was the 70’s a more optimistic and hopeful time?  It was in some ways.  Many people believed that existing power structures and institutions had to be smashed and a new way of living had to be created. In this sense the ‘70’s was more optimistic because people really believed that a more utopian, peaceful existence was possible. And the social revolutions of the Sixties and ‘70’s, the Civil Rights, Women’s Rights and Gay Rights movements did so much to further change.   But these movements were driven by historic tragedy as well as hope, they were driven by anger, and by a willingness to die for a cause.  So while there was optimism, there was also this dark underside of rage and the struggle for freedom was fierce and painful.  Then there was the Vietnam War which literally tore American families apart. And the music of the day, which can’t be separated from the times, was driven by this darkness and a soul-searching at the deepest level, as well as a corresponding and opposite belief in love and hope, peace and change.  You can hear the music reflect all this, whether it’s Phil Ochs raging “I’m Not Marching Anymore” or Joni’s bombers turning into butterflies, in “Woodstock”. 

Your second question, could this concert have happened in 2009?  I don’t know.  I think great musicians like Joni, James, Phil and Chilliwack, who have so much heart and soul, will always respond to an appeal as urgent as the one to stop nuclear testing on Amchitka.  U2 is a modern example of artists responding to urgent need, on both anti-poverty campaigns and environmental campaigns.  Which, incidentally, thankfully, no longer have to be considered separate campaigns, now that anti-poverty activist Kumi Naidoo has been appointed head of Greenpeace International.  But I digress.  To get back to the point:  I believe great artists will always commit for a worthy cause, but as for the nature of the thing, that is a concert with no backup musicians, no visuals, no big screens, just one musician and a guitar commanding a huge arena?  I don’t know.

Also there is something magical in the spontaneity of these performances, perhaps because the artists didn’t know they were being recorded, which is ironic given that we’re so glad now that it was recorded.  The instant musicians step onstage nowadays a million iphones capture their every breath.  There’s something sad about that, because when you’re recording, you’re not present. It breaks the intimate connection between performer and audience, and that changes the performance.

As for the third question, how do I see the music world and the political world?  Well in terms of music I’m overwhelmed by the wealth of music now available to us! It’s wonderful, but also I think today it’s more difficult for artists because the bigger the talent pool, the more they have to fight for attention, and art and public relations don’t go together. I’d like to see artists more nurtured and respected and the almighty buck take a back seat.  When commerce takes precedence it weakens us culturally and lessens our humanity. Phil Ochs says it pretty clearly in “Chords of Fame”.

As for politics…it’s easy to live in fear and anger — the Bush Administration was driven by it — but I think the brave thing to do is to try to live in hope, no matter how difficult things become, and we couldn’t be facing greater challenges than we are in this millennium.

And as for whether there are still free world activists willing to risk life and limb to change the status quo?  Absolutely!  I saw them on the Esperanza.  Greenpeace is full of activists who are utterly committed to peaceful non-violent action.  It inspires me and gives me hope.

You will be able to hear Barbara herself say a few words and listen to trax from the CD on the NBT ‘best of 2009`Special 21st December 09

http://nextbigthing.libsyn.com/

Learn more about the release here:

www.myspace.com/amchitka

www.twitter.com/amchitka1970

www.facebook.com/pages/Amchitka/60751539970

 

 

 

 

 

The CyberPR (Ariel Publicity)New Media Pioneer Interviews 17

arielapril

Adam Hiniker

EarCandy New York

Q:  How long have you been broadcasting/blogging?

We created Ear Candy about a year ago and recorded shows sporadically for the first nine months. It was just December that we started doing a weekly show.

Q:  In your opinion, what does a good song need to consist of?

In my opinion it has to have an edge or some very apparent emotion behind it. I don’t necessarily think a song has to be cutting edge or innovative to be great (though it helps) as long as an artist shows skill in their craft and confidence in how they deliver it.

Q: What is your favorite band or favorite genre of music and why?

The genre I listen to the most is hip hop, it’s an extremely raw form of expression considering the overhead is very minimal and  so much can be said in just sixteen bars of a hip hop verse. I grew up listening to hip hop and always liked it for superficial reasons but in the early nineties I discovered their were acts out there that wrote about things I could actually relate to and that’s when I started getting ideas about producing music.

Q: What changes in content laws, broadcasting rights, etc. have effected you most?

With all of the podsafe music resources and the fact that most artists and labels are more than willing to let us play their music these types of changes haven’t affected us much.

Q: A recent study found blogs to be more effective than MySpace in generating album sales, do you feel that that is a true statement?

Yes, I think their is a lot of random solicitation on myspace, however when someone blogs about an artist or album it’s a form of reference for the reader who generally values the bloggers opinion. Blogging is a great form of promotion for artists and also gives music fans an opportunity to be a journalist, I think this drives sales in a way that making mix tapes used to but on a much larger scale.

http://www.earcandynewyork.com/

The NBT Review 21

nbt-review-21

Creep Of The Crop – Panda Steps In Chocolate (independent release)

A 14 step program designed to defeat the Earnest Emotional Blues. Start, as always, with wonky rippled keyboard then

Progress and/or increase the quirk (so this is what Soft Boy Robyn Hitchcock would sound like if he fronted a toy version of the Lips) are those harmonies or reflections? Then go retro while marching straight forward, hey I haven’t smiled while dancing like this since that girl from that Castle got me on the dance floor.

Now; don’t be afraid to embrace some hotchip melancholy, there is twee and there is free and you have just sidestepped rather well into the latter.

This bedroom pop moves into the living room takes over the family stereo and then hijacks your sisters bicycle. While the flutter of joy flickers on the once thoughtful TV we give thanks for this delightful mess.

An NBT favourite already,

Please sirs, people, anyone. I want some more.

http://www.myspace.com/pandastepsinchocolate

 

White Flags Of Winter Chimneys – Wendy & Lisa (GirlBros)

Its been ten long years since this duo’s last release,  though of course anyone who watches cult TV series ‘Heroes’ or HBO faves like Carnivale, would have heard their themes and scores. A million years away from the glam swagger of their time in Princes Revolution, this is dream rock, slightly scary waves of ambience and sighs.

This brings back the art of the hallucination Pop that Shakespears Sister invented, adding the tension found in Sol Seppy’s Debut and the twist and turn production even Mr Eno would be proud of.

This a collection of songs and breathing, sometimes heavy like rainy mornings or stormy seas, sometimes light as birthday party sparkles.

Then the guitar gets dense and full of barely restrained anger and the rhythms slip and slide out of the comfort zone so cheekily alluded to.

A sly slinky beautiful surprise.

This recalls the best of shoe gaze with out the shy lack of self confidence that crippled that particular tribe. This is music that is touchable yet dark, when Kylie stages her 20th comeback she would do well to sink into these.

A pleasing danger, beautifully realized.

http://tinyurl.com/5wlsx9

 

 

 

Radio New York – Outasight (DailyGrind Music)

‘The feeling wasn’t… about that deal, it was all about that song.’

This guy is in love with the music, the creation, the joy, the sheer excitement of the scene, the artists, even the look and feel of the equipment,  ‘and you can hear the bass from the basement start knocking, Technique Tables, records flopping’

That this soul he concocts is what he needs to live and breathe is evident, and the listener feels safe from the hype and the dull glare of the bandwagon boys that pollute this world. This invitation comes wrapped in a sincere and sensual smile.

From New York, where many songs are shoved together by technicians with a cynical smirk and cold hearts, this SlowDance  kid inhabits a world where the bitterness of the hustle and the ego is replaced with a warm optimism, a sensual even refreshingly innocent enticement to Dream Big. To let go and let the chorus move you where it will.

http://www.thriftshophiphop.com/RNY/

 

The Magic Of You – Movin’ Melvin Brown (independent release)

The wonder of this virtual world, this eclectic internet, this crazy cool huge music shop, is that everyone gets a chance to be heard, not just the shiny popular or the bright trendy young things.

Now a man that has opened for the Four Tops, and shared a stage with Smokey Robinson, James Brown and BB King can get his brand of eternal soul into our living rooms.

This latest release is politically charged, full of hope and fire in this new age of a new President in a troubled land. Within ‘ I Have A Dream’  the gospel funky lead track, we have the emotions and thoughts of someone who has lived, suffered and dreamed for better days, and the joy of a singer who has seen those dreams start to become reality.

And in the companion song, ‘The Whoto Man’ Brown resurrects the darkness of the turbulent times that led up to this miracle, and calls up the ghosts of soulFolk singers like Odetta and Richie Havens.

All is not just politics though in this release, in 17 self composed tracks the sounds of Motown, Stax and classic Atlantic are lovingly not just recreated but given an historical edge and find their place in the new century.

http://www.movinmelvin.com/store.htm

 

Catch all these artists on the NBT Podcast going out the 9th Feb 09

http://nextbigthing.libsyn.com/