The NBT Review 118

BoneDome review by Martin Smit

Phyllis Sinclair review by Guest writer Beth Wimmer

Thintankubator – BoneDome (SummerBreak)

This is one jumpy jived up Sandman that takes us on our journey, maybe not the most serene of dreams perhaps but full of sparkling intrigue and that kind of refined chaos that the best sweet nightmares should have.

Now imagine this, that in an alternate universe, Bowie actually succeeded with Tin Machine, that instead of white suits and an 80s sheen, he found a Tv on the Radio and shoved it into a grunge house party, called all the punks, stole that nervous twitch right from under the Hold Steady and OH you are about half way there.

Because in spite of the uncanny thin white duke voice and other much talked about influences/inspirations this band carries their own weight, their own soul baggage, their own fire, anger and hatfulls of hope.

‘he ain’theavy, but he is fat and American, but the girls still love him’

well…

The band doesn’t’ sound fat and their love is complicated, one layer of tough flirting folded into another layer of wry observation, mixed well with a spoonful of desire.

Catch the´essence of mid afternoon FM and late evening AM radio waves and you have the beginnings of the knowledge that makes these songs shine.

 There are elements of self destruction within the stories, and even the most fragile of the tunes that could be, would be, ballads have something dirty and shifting and raw at their core.

Perhaps´these are cowboy songs for men going to war, maybe these are space epics for the illusive alternative office worker..

 All I know is that the band skips defining and that is a very good thing indeed

 http://www.bonedome.net/

Dreams of the Washerwomen -Phyllis Sinclair

I just listened to Canadian Singer/Songwriter Phyllis Sinclair’s “Dreams of the Washerwomen”, and I now feel inspired and sad: in touch with my childhood and my joy and empathy for it.

Like Phyllis, my siblings and I are the children of a hard working, single mother. So Phyllis Sinclair’s clear, precise, plaintive voice combined with her intimate observations on growing up and finding strength really hit home for me.

The clean, pure, simple yet rich-sounding 10-song album opens with “Washerwoman’s Lament”, an ode to anyone who works
hard, repeatedly, doing “simple” work for a living. The song reminds us that simple chores, done daily, are gruelingly exhausting.
Yet Sinclair’s solid acoustic guitar and light-hearted, sweet voice spur us through “just another day to carry my load”, bringing to heart deep respect for those who work so physically hard, day in and out.

Throughout “Dreams of the Washerwomen” lovely mandolin voicing and sparse yet precise background harmonies add
agreement and sometimes levity to Sinclair’s poignant observations.
The uncomplicated production, by Canada’s Stew Kirkwood, enhances the important messages of life and struggle and appreciation that Phyllis Sinclair so graciously and intimately shares with us all.

“Morning Laughter” is a melodic, kind reminder of the small blessings in life that get us all through. In “Our Side of the Line” a joyful, celebratory homage to home sweet home, the comforting, joyful violin leaves the listener with the smell of fresh
cut grass and a grateful appreciation for home. The messages are universal.

On “Sunday Best” the sublime accordion solo accompanies perfectly the innocence and questions of a child, remembering how simple and special Sundays always were.

The beautiful, electric guitar solo in “Finding Ontario”, along with the slow, steady-train-home feel, really sold me on every reason I could think of to return “home”. With Sinclair’s meditative lyric “little baby bunting it’s time to go a-hunting for home”,
I was moved to make my pilgrimage home too.

The song that clinched things for me, emotionally, was “Latchkey”. Sinclair’s plaintive, empathetic yet comforting ode to a lost, hurt, young soul, in the form of a scared baby bird, brought to mind the sad and frightening uncertainty of being alone, without parents or guidance.
The beautiful string section enrobed and heightened Sinclair’s inspiring plea of understanding and encouragement. “Latchkey”
brought tears to my eyes.

Phyllis Sinclair’s third album, “Dreams of the Washerwomen”, conveys a powerful and appreciative tribute to small town pleasures, accomplishments, struggles, and acceptance for our lot in life, while time both drags and flies by.

http://www.phyllissinclair.com/

Tracks from Both albums
are being played on the NBTMusic Radio

http://nbtmusicradio.playtheradio.com/

and have been featured
on several NBT Flagship Podcasts recently.

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The NBT Review 117

Evi Vine reviewed by Martin Smit

Muffled Shine reviewed by Cobus Rossouw

 And So The Morning Comes – Evi Vine (independent release)

 This is before sunrise music, those eternal minutes where the darkness fools you that It’s never gonna leave, but somehow the lamplight is losing it’s power to soothe or distort (was it ever comforting really?)

This is music floating in that waiting world, where hope is not quiet born and sister despair is not as charming as she was just a few hours ago.

This is intimate, just you and the singer, the music the cool air you breathe as you conduct this personal conversation. You cannot imagine studio or electrics, cables and buttons and mixing desks, you cannot imagine close ups of strings and bows and microphones. You’re too busy being IN the song and the singer and her music is too busy being IN you.

And yet.

That said, it is also music that makes you want to betray that privacy, the second it is done, and tell others, so that they too can be lost, just them and the singer.

So tell us about the music, you plead, well its stripped down Mazzy Star, its the most fragile blues, its those thoughts you had when you fell in love and you knew you would one day fall out of love.

It can make all the beauty in the world a lonely frightening thing but it can also softly urge you to keep dreaming to dare not wake up right now.

I had this vision that as the music drifted into a bus full of noise and chaos, one by one those that heard it closed their eyes, warped slightly out of focus, let go.

Stops were missed, timetables forgotten, the future became flexible.

It really was that simple.

http://www.evivine.com/

 Muffled Shine – Just (Independent Release)

 In 2003 Frédéric Chaubin began a journey to document some of the Soviet Union’s incredible architecture. I stumbled onto the story of this adventure together with a sample of some of the photographs (click on Frédéric’s name above) and was immediately struck by how the architecture somehow conveyed a sense of the Cold War era while being very distinct from what was created in the US. The buildings have a close, claustrophobic feeling; even as they stretch creativity far further than the West did (well, mostly).

When I first heard this EP from Muffled Shine it immediately brought back the images of those buildings. Landscapes of graceful emptiness filled with architectural displays that are brutal, yet harmonic and somehow triumphant. This is a personal reflection though, and while I am sure that we cannot escape the effects of our environment I am also sure that Muffled Shine intends far more with this EP than to depict a fascinating past.

Gregory Khanin & Dmitry Gubin create music that falls within the “Industrial”, genre but it would sell their EP, “Just”, short if you tried categorise it that strictly. The reason for this is that “Industrial” so often conjures up the idea of grinding discomfort, agitation, angst, whereas Muffled Shine have produced something that is reflective and meditative without being mawkish or overtly spiritual. This album will not make it into a Tibetan monastery, but if it did they’d learn something.

The music is so evocative that it transforms your local landscape. With autumn fast approaching in South Africa it metamorphosed afternoon traffic into an epic adventure, a slow progress to some homecoming, some imminent arrival. It is such a familiar feeling that I listened to the album three times in succession without once feeling like I’ve heard it before. (I knew I couldn’t find the words to describe this feeling, so I’ll settle for “nostalgia”).

Since receiving the album for review I have probably listened to it more than twenty times, and I could listen to it again, right now and I know I’ll be moved. I also know that I’ll be moved in a different way, and that it will provoke an emotional response. This is my album for contemplation, for deepening the world, for delving inside.

 http://muffledshine.bandcamp.com/

  Both Muffled Shine and Evi Vine will be featured on the NBT DarkElectric and Flagship Podcasts going out on the 29th and 30th March respectively

 and both are playlisted on the NBTMusic 24hour Radio

 http://nbtmusicradio.playtheradio.com/

 

The NBT Review 115

  Six Hurdles – History Of The Trade (Independent Release)

 The opening song shoots towards us rocket like revealing a complex sequence, tunes within tunes, post punk verses, math rock dance moves. Starting out drill bit intense, bits of Wire you don’t dare draw a breath, then tempo change, stadium chants, pop goodness, care to jump around with me?

 Going Nowhere, goes pretty fast in search of the cool hook, gets there, swings along the mirror ball shatters and doesn’t let up,as you fall for it, you decide you need this EP in your record collection, file it next to the Foals perhaps.

 Dear Sir/Madam I would like , ‘Facts’ to be number one on the charts, the nation needs that shot of speed and sensibility. This is all sparkly, raw energetically beautiful.

 Then epic in miniature, ‘Alkaline’ bursts shockwave from the gentle static, a summer anthem from a winter perspective. And I realise that this collection shall not stray too far from my player these coming nights and weeks.

 Find out more

http://www.historyofthetrade.com/

 Skyskratcher EP – Skyskratcher (Independent Release )

 A different beast here, over a gently (twisting) slow burn, prog rock vocals slide (circa ,perhaps, early killer Queen ) the guitars ebb and flow, now intense, now just tense, always threatening to explode, there is allure in its admiral restraint.

 Skyskratcher seem to have forecast the Arctic Monkeys new rock direction, but seem less cynical about it, its 70s met with Now, a young sound with old(er) influences,conducive to headbang hedonismyet slippingg into a welcome reassuringcontemporaryy vibe as well.

 Often skipping the structure of quiet-loud- quiet and just doing the quiet building into frantic, the music insists you try see this band live, or for those of us,from that sad land ‘far away’ insists that you imagine the ToughTumble n Roll of the stage.

 That is why, when the fragile is allowed, it is so satisfying, giving the songs those varying Moodcolours of orange into rust and beyond. Something innocent yet sweaty pure about it all

 http://skyskratcher.com/main/

 both bands will be featured on the NBT podcasts (both the flagship cast and the dark electric cast) in March. And will be playlisted on the NBTMusic 24 hr radio from this weekend

 http://nbtmusicradio.playtheradio.com/

 

The NBT Wonderful Ones 2010 Part Two Of Three

another hectic year another huge collection of new acts discovered. When i say new acts, well new to me, and to new to some listeners, a lot of the bands and artists have been playing, creating for ages, making music that seduces and provokes and revigorates.

What was amazing for me , was the the sheer diversity of the tunes on offer, from ghostly industrial landscaping to tender folk ballads, from exuberant indie pop, to things full of complicated time changes and sneaky shifts.And what amazed me even MORE, was that even the most glittery pop concoction, or most basic lo fi rock out, all had  these things in common: passion, care and love.

These were NOT songs made by committee with one eye on sales and the other on offending no one. this was music made for the joy of it, sure the bands want to ‚‘make it‘ want to have that illusive hit, but its the song first, the hustle later. something the majors could learn from, (if they only stopped being so damn SCARED of the independents that is).

So ok.. here are the bands, singers, performers,labels, promoters that made this year even better than the last. ladies and gentle beings here in no particular order are this years Wonderful Ones.

Part One HERE

The NBT Visual Page can be seen HERE
Frequency Theatre
The electro pop buzz of Mr Nate Butler. the zing of a full band but the soul of a tech wizz, the frenzy of a friday night dance floor and the danger of a jump into the unkown.

Nate Butler in his own words:

2010. The year with the cool numbers. For instance – October 10, 2010. All over downtown Chicago were banners with 10.10.10. advertising for the Chicago marathon. For Frequency Theater numbers had a lot to do with our triumphs and our tragedies.

In the triumph column: we played 32 shows this past year, while working 40+ hours a week, and with every member of the band working on music outside of the band as well. It’s not as many shows as I had hoped for – but certainly nothing to laugh at.
In the tragedy column: in ways that I can measure – our fan base has barely grown, and the band is a bit in the hole. We, along with most other independent musicians are scratching our heads and wondering how in the world we are going to ever make money at this.

Our show is quite technical, and after a couple near-disasters recently – we are coming to terms with the fact that to put on the kind of concert experience we want to, we are simply going to have to upgrade some of our equipment.

While all of this is a bit frustrating, let me leave you with this – at our last concert we played to nearly 500 people (who stayed through our entire show) and ended the night with over 60 kids from a marching band, and 15 or so from a youth choir. Those are numbers we like! If you want to know how we did it – head over to www.frequencytheater.com and ask around.

Thank you NBT for all of your help and support,

The Coal Porters

Sometimes a person who supports the independents gets to play his heroes. and so with great karma shining i got to feature and write about this band which featured Sid Griffin, from the Long Ryders (whose cover of Masters Of War still is one of my all time faves) and writer of Shelter From the Storm, the Bob Dylan Rolling Thunder treatise and a Bio of Gram Parsons.

BUT the beauty about the porters was that it was a BAND not just a man and his backing musicians, each player added to the music from the writing inwards, each instrument was a perfect fit. and theymanaged another damn beautiful cover, this time Like A Hurricane. but it was the self penned numbers that stuck with you even more. the kinda album you want to give to friends you REALLY like.

http://www.sidgriffin.com/the-coal-porters/

Sarathan Records

Sarathan head honch Jonathan Kochmer really liked what I wrote about them on the nbtMusic website, and since I meant every word here it is again 🙂

‚’I have worked with Sarathan for a couple of years now, and have found this one simple truth about them. They are honest.

Don’t wrinkle your nose there gentle reader, to find honesty in a label, within ALL their bands, to find truth in every bit of music that comes out from them, is a rare thing indeed.

I believe in every act that I hear from them, but more than that I want to play every act that they have, write about them, and dance to them, go on adventures with them. The label is gently eclectic but each band FITS, there is a rhythm a vibe that joins them. Like perhaps Saddle Creek, Domino or the great 4AD, this is a label that when an innocent musiclover goes into a shop or online and sees that fluttering bird or the name Sarathan, they know the music will be cool, quality and most of all HONEST.‘

Jonathan in his own words:

2010 has been a year of transformation for Sarathan Records. It started like any other year with the release of great CDs by our two Seattle-based indie-rock projects: Feral Children’s Brand “New Blood” and Thunder Buffalo’s self-titled “Thunder Buffalo”. Peter Bradley Adams has continued winning choice placement of songs from his solo releases “Leavetaking” and “Traces” in many TV shows and films. Feral Children and Two Loons for Tea both did some touring in large venues on the East Coast, and Thunder Buffalo had a truly epic DIY one-month tour playing everywhere from city parks in small midwestern towns to well-established venues in big cities. And, of course, being an Internet-centric company, Sarathan continued expanding our reach to bloggers, podcasters and Internet radio stations throughout the world. 
But change was in the air! And came to us in the form of a resurrected idea, a ghost that had been lingering in the back of our minds for years: Sarathan Online Services. The challenge for Sarathan, like many other record labels, is that sales of recorded music continues to plummet, and the prices consumers are willing to pay for music also has continued to fall. What’s a small music business to do? The solution came from resolving a paradox: Sarathan’s online reach had expanded such that we had the power to support many more musicians than Sarathan could sign. We realized we could create a new services division to support the many non-Sarathan artists who we respect, and Sarathan Online Services was born (and appropriately abbreviates to “SOS”! http://www.sarathanonlineservies.com). Though SOS was designed to come to the aid of artists struggling to establish themselves online, SOS has also reinvigorated the label with a stronger sense of purpose. We’ve never been more committed to the idea of sharing good, independent music with the rest of the world.

2011 is now looking very promising. We have a new direction, great new teammates on board, custom databases in the making, and will continue to create additional new innovative services for independent artists. Sarathan Online Services is in the process of promoting our first SOS artist, Jason Spooner, and we are excited to work with the many promising acts who are now signing up for our support! La vida es bella!

http://sarathan.com/

Vanishing Angels
sometimes we catch an act before they get into their stride, so it is with this project, the brainchild of South African based David Goodman, so far ther have been but a few demos, but what we have heard promises well for 2011 and beyond

David in his own words:

2010 was a mixed year for me. On the one hand, I landed a job as a columnist on South Africa’s fastest-growing online news site (News Time). We have 100,000 readers! Here’s the link to my column: www.newstime.co.za/columnist/DavidGoodman/98 (I have written twenty articles for News Time). On the other hand, my album (which was supposed to be released this year) has been delayed indefinitely. Damn this recession!

I’m hoping my album will be released early in 2011. However, it is out of my hands. Everything is ready to be mixed and mastered. It’s a good selection of songs, and Sian (and the other vocalists) have all done a great job. I already have enough material for a follow-up album… And it’s good stuff (a bit darker and grittier than the first batch of songs). Also, there will be more guitars on these tracks (with the possible addition of a permanent Vanishing Angels guitarist). I am working with brand new music software, and there is great potential. I just wish I didn’t have to rely on others. Life is too short… And the years just fly by…

http://www.myspace.com/vanishingangels

Mammut

How does Iceland do it, another cool band that glides through the ether and scrapes at and touches the very popSoul within all of us.Proof again (as if it was ever needed, that the best alternative music has no language barriers) Already chart toppers in their own country, a wider acceptance beckons.

http://www.myspace.com/mammut

Ruth Minnikin
with her Bandwagon, Ruth brought out a concept album of sorts, taking six tracks and using different producers and arrangements, playfully twisted them inside out to make 12 exciting creations. we said: she..delights in showing just how a change of pace, focus and density can bring about new wonders.

http://www.ruthminnikin.ca/

Merry Ellen Kirk

her music was like overhearing an artist‘s innermost thoughts..

Merry Ellen in her own words:

2010 for me has been the year of the Firefly Garden. It’s been a magical reshaping of my musical perspective, and how my music relates to the world around me. The upheaval of the music industry, while it has opened many doors for artists, has also created an unprecedented amount of competition for attention—which leaves one wondering every day “why am I doing this?” (and by “one” I mean me.) Seeing no light at the end of the tunnel, I felt many times this year that I desperately wanted to quit; but then I don’t know what I’d ever really do instead. I went to bed one night (or, realistically, morning) with all these thoughts running through my head, and woke up that morning (yeah, we’ll go with that) with this vision and a chain of words that flowed out of my fingers, through the keyboard on my computer, and into the “bio” section on my MySpace page.

I realized that “if all I do in life is shine a little light into the dark spaces of the world, my time on earth will certainly not have been wasted.”

This eventually turned into a whole conceptual album based on the idea that songs are like fireflies, and they just want to be free to roam about the world and spread a little light. So demos came about over the course of 10 weeks, each week growing one more song, like a garden. Currently I’m in the fan-funding/preorder stage of the project, to turn the demo collection into a full-fledged album. I’m hoping to raise enough money for the project by the end of February 2011.

In the meantime, though, I’ve been working on a new duo project with my friend Aaron Krause called The Shakespeares which I’m thoroughly excited about–we will be releasing our EP February 1!

We’ve already pre-released one song from the project, called “Collide” which is a free download. It was the first one on the project we recorded, and to be honest, I’m liking each one better as we go along, so I’m anxious to see how everyone else will like it, as I am anxious to see what else is in store for the rest of 2011!

Hemifran
Another hero of the indie world, mostly unsung, mainly because he believes its the bands and the artists that should get all the attention, is Peter Holmstedt. A lot of the bands on this blog and on my show are there cause of his tireless efforts. He deals with country, folk and pop giants like Jackson Browne and the Low Anthem but his real focus is getting the smaller labels and acts heard across europe and into the shops and onto the stages.. we NEED people like him, long may he run.

http://www.hemifran.com/news.html

Pink Monkeys/Andrew Kay

another late arrival to NBT, but a seasoned musician on the alt fringe of the SA scene, Andrew has just formed this highly eclectic outfit and already they have songs out ranging from proggy pop, to twisted post post post punk.

Andrew in his own words:

The Pink Monkeys spurted into being towards the end of 2010. This after I, the singer and songwriter in the band, was asked to perform at a biker’s rally in Nelspruit South Africa.  Considering the audience would be bikers and rockers, the main focus of the music had to be rock.

I approached students Marika Potgieter on Bass and Andrew Hamilton on lead to become part of the band.  Unfortunately our drummer Neil Fish was unable to perform, so we were faced with the unenviable position of having to perform as a complete unit, fwith the stand-in drummer, for the first time, on stage. I had, however, spent time with each musician separately going through the songs and rehearsing their parts.  The gig went fairly well considering the above factors.  The Pink Monkeys  even had a few bikers and their babes moshing to a few of the songs.
I have spent the past two years writing and demoing material for an album, which metamorphosed into what can be described as being zef metal – a punk/metal/grunge hybrid that best expresses itself in songs such as Dark Luv, Psychotic Reaction and The Dark Side of Apple Pie.  Next year, 2011 should see the band rehearsing regularly and gigging to raise money for a professional production of the album, entitled Do Not Feed.. These hols the Monkeys are putting visuals together to a few of the songs which we will post on Youtube and Faecesbroek.  The sound is rocking, rifftastic, incendiary, and totally fokken zef, my blaar.

http://www.facebook.com/NBTmusicproject#!/pages/Andrew-Kay/125647309376

Boister

One of the coolest titles of the year was for the album ‚’Some Moths Drink The Tears Of Elephants‘ produced by  Jim Dickinson who worked on Big Star albums among many others. this was roots music as a step out point only, as it took in island rythms and far east swing as it hurtled towards a slow burn perfection.
http://www.boister.net/


88 Kilos Of Sunshine

a mysterious virtual musical project, these sneaky heartbreaking missiles flew from an unspecified location deep in the heart of somewhere else and landed slap bang deep amongst our favourite things, like they had always belonged there.

the Bandleader in his own words :

We’re a little shy when it comes to matters other than the music, so no photos. 😉 in terms of 2011, well, we’ll keep trying to do a song release per month or better. There’s some colabs happening, and possible ventures into other languages, hip hop and perhaps even some classic metal sounds.
In short, just music, music, still without a specific genre and without an album, cos that’s how we roll. It’s kind of a curse though, having no genre, but in the same breath it’s liberating.
One thing I hope will solidify in the next year is what I’m trying to do with 88KOS… At the moment the aim is to do 120 songs in a 10 year period…

http://www.88kos.com

Krista Detor
we wrote: It was tempting to get all theoretical on your ass for this, to pull out my battered vinyl copy of Dylan Thomas reading a Child’s Christmas In Wales and Do Not Go Gentle.. Or mull over again the mystery and sadness of how politics killed a Poet close to a Fountain of Tears, but I am, like most good listeners that will hear this collection, simply just an intelligent savage, and it is what the music and the words give to me that is important, not the brilliant inspiration for their creation.

I noted too, that the fact that these songs are animated by Lorca, Thomas and Darwin amongst others is only mentioned in the various press releases and not on the album itself. So as they say wherever good music is on trial ‘let the songs speak for themselves’

http://www.kristadetor.com/

Inter Idoru

an online promoter for platforms like NBT, this vibrant company has already introduced our listeners to two brilliant bands based in Japan and the UK. and that seems to be only the beginning.

Inter Idoru founder Apryl Peredo in her own words:

2010 in a paragraph or two? Well, I have to admit that my usual search for independent music took a backseat to the enjoyment of watching my pre-teen daughter discover music she likes. Yes, it was all mainstream, but what else does an impressionable young girl listen to? (Eventually I will sway her to the dark side, but for now I accept!) I spent many hours listening to Katy Perry. Good for mindless singing along. Lady GaGa. Not a bad voice, okay music. But a meat dress? Really? And since when is wearing nothing but your panties to a baseball game “rebellion?” Maroon 5. On this, I am in agreeance. Unique vocal style, good melodies, snappy dressers.
As for independent music, I was fortunate enough to meet and work with a fantastic band iCON and their singer Arianne. This woman has a voice as though it is from a fallen angel who truly enjoys doing a saucy striptease! While you’re looking at her bosom, the silken wings come around and stroke your cheek!

I spent some time with a Japanese band called Bo-Peep; 3 rocking girls from Fukuoka who melt faces with a punkish-rock, while wearing adorable yukatas and obi!

For 2011, I hope for more Maroon 5, less Lady GaGa. I hope iCON becomes world known. I hope people laugh at Ted Turners idea of instituting a one-child policy in the USA. And I hope that independent musicians keep making music that fulfills their soul and lets us share their dreams. At least, until they “sell out” by getting famous!

http://interidoru.com/home.cfm

The Gospel According To NBT (or the top 50 trax of 2010)

so yeah.

A long strange 12 months. So much music, and not nearly enough time or text to convey how great and wonderful and THRIVING the indie music scene is. It is rather cool to note that at least half of these bands belong to tiny labels or are unsigned or are self released. the ones with nbt in brackets behind them have been played and written about on the NBT podcasts and webpages.

Still to come the HUGE NBT Wonderful Ones 2010 Blog and Podcast. watch this space

note this is a choice of SONGS not albums.. that comes later

50) Let’s Say Goodbye, Like we Said Hello – The Coal Porters(nbt)

49) When we swam – Thao With The get Down Stay Down

48) Eure Liebe Tötet Mich –Tocotronic

47) The Dark Side – Elika(nbt)

46) Smart Girls – Caroline Alroy (nbt)

45) Mister Tell Me About The Great Depression –Tokyo Rosenthal (nbt)

44) Lemonade – Coco Rosie

43) Sprawl 2 – Arcade Fire

42) Golden Spells – Adventure Spirit (nbt)

41) Analog love –Cassis and the Sympathies (nbt)

40) A Landscape –Pollyanna(nbt)

39) We’ve Got Your Back (documented minor emotional breakdown#2) Los Campesinos

38) Annie’s Box – The Knife in collaboration with Mt Sims and Planningtorock

37) Born free –M.I.A

36) Computerface/Pure Being –Flying Lotus

35) The Key- 19 Mirrors (nbt)

34) Sentimental Xs – Broken Social Scene

33) Blind like a fool –Tallulah Rendall (nbt)

32) I’m Doing Fine – Apollo’s Sun (nbt)

31) There’s Nothing Underwater – Lightspeed Champion

30) Middle Of A Breakdown – Krista Detor (nbt)

29) Swim Till You Can’t See Land – Frightened Rabbit

28) Sleepless Street –Peter Doran (nbt)

27) The Walls Are Coming Down – Fanfarlo

26) Visitenkarte –  Schutzschall (nbt)

25) Death Of Auto-Tune –Jay Z

24) Breakin –Lisa Bianco (nbt)

23) A Voice In The Louvre – Get Well Soon

22) Home – The Villagers

21) Firefly garden – Merry Ellen Kirk (nbt)

20) Death blossom – Carta Marina(nbt)

19) Boyfriend – Best Coast

18) Undertow – Warpaint

17) Do You Ever Think Of Me – Wartapes (nbt)

16) Cannibal –Zoomonk (nbt)

15) Love Lost – Temper Trap

14) Take You Back –iCON (nbt)

13) Norway – Beach House

12) Barricade – Interpol

11) Enemies Like Me – Birdeatsbaby (nbt)

10) Spy –Boister (nbt)

9) Trees Have Fallen And The Birds Are Ripe – Marco Mahler(nbt)

8 ) Flashback part 1 –MaCu (nbt)

7) Impossible Soul – Sufjan Stevens

6) City lights –Count To Fire (nbt)

5) She Said – Plan B

4) Another Town –Richard Kapp and the Gowns featuring Ina Simone(nbt)

3) Does Not Suffice – Joanna Newsom

2) Even If I Tried – 88 Kilos Of Sunshine (nbt)

1) Baptism – Crystal Castles.

the NBT Flagship podcast

http://nextbigthing.libsyn.com

the NBT Dark Electric Podcast

http://nbtdarkelectric.podbean.com

the NBt top ten

http://nbttopten.podbean.com

 

The NBT Review 103

Smash My Box/Electroboxx –iCON (independent release)

You get a set of songs to review, you play the first track and think you know where you are now heading, think you know what the mood of the piece will be, what degrees of crazy the writing will fall into to suit the music. Think you know whether vibrant short shots will suit, or rather languid thoughtful sighs perhaps.

Then you get these swell indie chameleons and your journey is thrown into delicious disarray.

Oh the strobe lights strut, the glitter-cool. From the first seconds of ‘Do or Die Moon’ it is clear this is no shy shuffle, no shoegaze insecure, and no bedroom anti-social. This is bright bang (pow !)party music.
Ok I know this band. I think I Know where they fit.

Ok NO.

Here comes the 1st of many gratifying curveballs. Next track up is nothing like that. ‘Giant’ slides into focus over delicate piano and builds into a Tori Amos meets Siouxsie chart contender, the kind of glossy not quite ballad full of hooks and surprises that make good pop music so refreshing

This is a band equally at home, playing the mainstream but coming out proud and uncorrupted, or creating songs awash with strings and dramatic arrangements where the shift from club gigs to stadium dates is inevitable.

The Electroboxx tracks show yet another side to the band, now they are Disco Darlings, with a soupcon of camp, a dose of day glo funk(you know the kind that Prince would dreamWrite and CSS managed on their first album) and an honest love of the fun side of Bubblegum- Rock.

Brought to the attention of the right listener, this is a band that could easily make up for the disappointment of, say, the new TingTings album and dominate the airwaves in 2011.

Personal fave for me is ‘Take You Back’ a driving dance mix ten parts giddy, hundred parts exuberance.

http://www.myspace.com/iconsmashmybox

Tracks from these EPs will be featured on both NBT podcasts
this week and next week

http://nextbigthing.libsyn.com

http://nbtdarkelectric.podbean.com/

 

 

 

 

The NBt Review 101

All this cool music. There may be a crisis within the music industry, but the independents are sure doing their best to make it a vibrant exciting world of sound.

All reviews except where noted are by Martin Smit of the NBT Project.

Fever Changing –WarTapes (Independent Release)

Hurtling forwards the music the singing is twisted and detached, look for the poignant hidden behind the frantic modern hustle. This machine gets dirty gets rusty, rumbles and roars and the humans who drive it through to us, are flawed, vulnerable, brave, continually invigorated by the power of the melody, the impact of the thoughts.

It is only PoP isn’t it?

Or do these fierce songs display a lot more? Simple answer:oh yes.

The title track screams into existence, all piercing industrial guitar slithering over a dense mix, the beat shuffles shy, hesitant, the girl almost lost in the roar, but it is this subliminal purity easing its way out, that touches us.

We start to think we know what will come next, but the band gleefully throws out their very best curveball (Silhouette) and suddenly we aretaken back to an innocent new romantic dance floor, memories of pastel tinted videos and hooks to dream about. While personally preferring the WAR in the Wartapes, I can imagine many a radio programmer latching onto this track with a sigh and even a giggle.

For me though, the twitchy beguiling hit of the oncoming winter will be the nervous buzz of ‘Do You Ever Think Of Me,’ a song blessed with a melody as catchy as anything Saint Etienne ever created.

All in all this a set of songs that will appeal to the timid first time traveller into the indie world (welcome dark cool days ahead!) and to those fine hedonists that crave just another spoonful of edgy.

http://www.facebook.com/wartapes

Marco Mahler – Design in Quick Rotation (Full Album)

A review from Cobus Rossouw on Marco’s earlier release.

A review on his latest can be found here

My previousreview of the Marco Mahler instrumental efforts talked to the musical qualities of the album. The major difference between the two efforts is, obviously, the addition of vocals. It would therefore seem that the review would be as simple as commenting on the vocals and this review would be done. Perhaps. But then life happens.

I have been pondering this review for a couple of days. I thought about writing about similar vocal styles (Tindersticks’ Stuart Staples, Lou Reed et al, the fragile honest vocals some of us need to remind us that it’s not always about the technical ability). I thought about describing my unending love affair with lo-fi… but, honestly, it would sell the entire experience short, simply because a mechanistic description of the vocals or a blatant attempt at showing off how much I know about music would ignore what music is about. It’s how it makes you feel, and it’s easy to forget when you’re reviewing.

In short –this album makes me happy. I’ve had a tough few weeks and maybe this has nothing to do with you, dear reader, but if you need some music that’ll take you away, somewhere other than where you are, then Marco’s got the remedy for you. I’d get into the car and drive away from the hospital, turn on the music and select track 3, “Orange Chinese Car”. In a matter of seconds I am already feeling better, I know things will be ok and I can come back again tomorrow and face it. That’s worth the price of admission.

Somewhere in the tapestry of themes Marco has tapped into something healing and I thank him for this personally.

This album will not be for everybody. It’s not overproduced, it has no star names, no rousing choruses, no drum or guitar solos, there’s no spandex or big hair but there’s heart and soul in plentiful supply. I can’t single out any other tracks, because from Think Tank through to 1’s and 0’s, Go Crocodile and theother 6 they all dish out the same medicine, albeit in unique and interesting ways.

I want everybody to buy this album. Come on, reach into your pocket and buy it. Buy it because the Marco Mahlers of the world must keep on making music.

http://www.marcomahler.com/

End Of An Era – Carta Marina (Independent Release)

Let’s be thankful there are still bands making this sort of uncontrived anthem, slow building tunes full of heart and song craft. Songs that first time lovers can slow dance to and those weary few can get past their heartbreak with. This is a gentle youthful often rocking rolling set that is easy to dive into, sing along to.

The production is crisp and charming, the refined jangle of the guitar placed foremost in the mix, the voice soothing seemingly effortless, the lyrics( never getting anywhere near to angst) deal with matters of the personal with a commendable lightness of touch.

But if I give the impression that this is a swim through the mainstream, think again, sure some of the songs ARE a brand of alt rock that will please and soothe the masses (and this is NO bad thing), but then there are others like the two long instrumental compositions ‘Death Blossom’ and the title track which melds a delicate ambience onto elegantly restrained workouts, creating a satisfying tension anddrama.

As with the best music of this type, it is the surprises, the subtle gifts given each listen that make this EP so rewarding

http://cartamarina.bandcamp.com/

Hear trax from all these albums on Podcasts going out in November on NBT (the 12th,
18th and 25th)

http://nextbigthing.libsyn.com

Oh and finally NBT is on facebook.. go and ‘like the page already!

http://www.facebook.com/NBTmusicproject