The NBTMusicRadio Fantastic Themed Hours THREE :”Comfort In the Turbulent World”

”Comfort In the Turbulent World”

11 PM Berlin Time ( 10 PM UK/5 PM New York)

AND

10 PM California Time ( 1 AM New York) For our USA/Canadian Listeners.

Bring the disturbance home! due to many requests to have the hard rock section a little earlier for our European audiences, and a little later for our USA listeners, we have joined together the ”Comfort in a hard place” and ”More Fun In the Turbulent World” in a marriage of much anticipated excitement and organised chaos!

So now its not JUST Rock of the HARD variety, there will be PUNK on all its deviant forms and ages, METAL from the darkest dark to the sweetest pop edge,there will be INDUSTRIAL, a slice of GOTHIC, and a big scoop of PROG. there will also be a smattering of BritPoP just to liven things up.

please note: in this incredibly eclectic category more than any other; i get so many new bands every week, so the line up will CONSTANTLY be changing, shape -shifting, evolving, so If you dont hear your heroes one night you will be sure to hear them the next. but PLEASE do support all our indie bands, as they share the stage with the more famous makers of this noisy art.

Oh and finally broad minds are available at the entrance, dont come in without them 🙂

Featured (in no particular order)

Stiff Little Fingers, Voice Of Addiction, Hawthorne Project, These New Puritans, The Jam, Black Flag, IceAge, The Eversons, Thee Now Sound, Tokyo Police Club, Big Dipper, Shonen Knife, These Animal Men, Pylon, Interpol, Ty Segall Band, Revel 9, AeB,Eudora Fletcher, Mos Generator, Crawley, Odoghan,Baht, Shattered Destiny, Kill For Eden, The Mighty High, Dropbunny, The 31st Of February, Elizabeth, Title Fight, Love Of Diagrams, The Ruts, Be Your Own Pet, Echobelly, At The Drive In, Link Wray, St J and Rici Martins, Spartan, Grenouer, American Head Charge, Godard, Jai Alai Savant, My Talking Pua, Test Icicles, Wire, Deep Purple, Grifter, Pulled Apart By Horses, Gun Outfit, M185, Sweet Ray Laurel, American Head Charge, The Monks, Late Cambrian, Spizzenergi, Felt, Monochrome Set, Honeymoon Killers, Orange Juice, The Wild Eyes,Ulterior, Eternal Summers, male Bonding, Soft Pack, Dutch Uncles, Buzzcocks, Violent Femmes, Kill Kasper, Mammut, War On Drugs, Pretty Girls Make Graves, Afghan Whigs, Vaccines, Thirteenth Floor Elevators, S.C.U.M. Swell Maps, Stone Iris, Yuck, The Replacements, Dogs Bollocks,Black Rebel Motorcycle Club, Phoenix, Sonic Youth, D.U.N.E., Bruiser, Moist, Fen, MaHA Rocks, Carta Marina, Reverend Horton Heat, The Simpletone, The Cooper Temple Clause, Akarusa Yami, The Black Keys, Heavy Pink, Motorhead, screaming Trees, Skyskratcher, Blue Cheer, Ministry, Deftones, Alice Cooper.

http://nbtmusicradio.playtheradio.com/
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The Free Anton/Manu/Jim/Clare Podcast

The Free Anton/Manu/Jim/Clare Podcast

1st_May_NBT_Special_2011

Click on the Picture to take you to the NBT Player/channel

This very special music podcast has been set up to raise awareness about the missing journalists in  Libya.

Durban-based multimedia artist Helge Janssen did the Free Anton graphic

The artists/Musicians featured care about the freedom of the press, of expression and for human rights.

Free Anton

http://www.facebook.com/pages/Free-photographer-Anton-Hammerl/180764838637385

Free Manu

http://www.facebook.com/FREEManuBRABO

Free Jim/Clare

http://www.facebook.com/FreeFoley

Free Clare

http://www.facebook.com/freegillis

The petition: Your signature will be delivered to:

Gov. of Libya, the US State Department, the Foreign Ministries of Spain and South Africa

http://www.thepetitionsite.com/1/free-captured-American-journalists/

In Order Of Appearance:

Xtranjera

Danika Homes

A Hawk In The Rain

My Goodness

Jozi

Abstract Ninos

Fistos

Crosstown Fire

Jean Montag

88KOS

Beth Wimmer

Live Jimi Presley

Rune Martinsen

VBI

Tokyo Rosenthal

Kara McGraw

Gosteffects

The NBT Review 108

  The Man With Two Brains – Dirk Speksnijder ( Independent Release)

 There is always a place in this indie world for the English Eccentric, from Syd Barrett to Julian Cope, from Ray Davies to Robyn Hitchcock, there thankfully is a music that transcends the ageing process, and can provoke and excite the modern listener while seemingly twisting away in a time warp made up from fabric poached from the Incredible String Band and McCartney’s more fanciful daydreams.

This is PoP but not as we know it, Jim, this is Folk but from those strange Folk, those travellers and Pranksters, and this is joyful, funny and yet with a tinge of the melancholic twinkling darkly underneath the shiny shiny reflected surface, as the opening track’s lyrics go, ‘this is war, and we don’t know what we are fighting for’ all echo and multi tracked harmony.

The songs are linked quirky/mock sombre with orchestra and spoken word adding to the overall ‘otherness’ of the record, but also giving the concept a sly unity: within the mostly sparse arrangments there are a lot of giddy touches that make each track a new discovery every play, from the opening riff of ‘Hot Air Balloon’ which wouldnt be out of place on Alice Cooper’s Killer album to ‘Going Out’ which could be made in an alternate universe where Blur was a late sixties band.

Dont think for a moment that is is just mere novelty, take a listen to stand out track ‘Two O Eight’ which lifts itself off from Space Oddity via Paul Weller and becomes its very own entity. Listening to this album makes me really want to hear Dirk’s Alter Ego, Phil Knight’s next offering, whatever and whenever that maybe..

For now though, this gentle love letter to a certain type of wonderfully warped songwriting shall have a cherished place in the cd player and radio rotation for the many months to come

 hear more

http://www.myspace.com/dirkspeksnijder

 you can hear tracks from this album on the NBT Podcast going out on the 30th Jan 2011

 http://nextbigthing.libsyn.com

 

The NBT Review 107

Two very different bands and two very different reviews 🙂

 

Bruiser by Martin Smit

Frosting by William Elliot

 

Bully For Flux EP – Bruiser (WindowLicker Records)

A certian type of hard rock, streamlined to an inch of it’s roaring life, sleek, polished, yet still throbbing with power, is an extremly difficult creature to tame, never mind getting it to do new tricks in this modern age.

Sure the template here is those fine bands of time ago, like Cheap Trick, or Alice Cooper’s 70‘s disguise, but the band and the producers have managed to keep it all up to date in feel, style and substance.

What works is that under the reflected sheen and glow, there runs a dirty great engine, all oil and thrust and coarse, it is this containment, this tension trapped under driving sweet melodies that give the songs such power.

While others offer the illusion of danger, and stay safe, Bruiser offer up structure and songcraft and an honest invation to jump into the mosh pit and let go.

The Mix is what attracts here, a most difficult thing to get right in this sort of creation, the vocals are placed just so, neither too clean and upfront, or lost too far down in the murk, the instruments click tightly into the hurtling rythmn, the belief that good alternative needs to be messy, underplayed, or just cutely inept, is NOT adhered to, no rather that the making of a song from thought to finish is an adventure in skill and architecture.

and then the cool thing: all this does not distract from the warmth and passion and sweat in the music. a fine achievement indeed.

http://www.windowlickerrecords.com

Fresh Frosting – Frosting (Kentland Records)

Opening track, ‘Comfortable Enough’ starts of with a squwark and then slips into a sleepy rock ramble that recalls JJ Cale, but the pace is picked up with a countrified pop track called ‘Katrina Wells’ a song that sounds like it has already been on the charts and now is resident on every FM station.

The band make all this sound effortless, like they got up and got this done during one fine afternoon, in single takes. Whether or not this is so is besides the point (the album has been years in the brewing) because the band doesnt try to be different or artful, extreme or agitated, but rather play good tunes honestly.

Because of this many may skip past this album in search for some thing trendier perhaps, or seemingly hipper or seemingly more indie. That would be a huge shame, as the band cover a mulitude of styles and offer up a diverse set of great songs.

Stand out track for me is the delicate cover of Buckingham’s ‘Go Insane’ where Laura Lopardo takes control of the vocals and sways through the bittersweet with a gentle elegant touch.

to hear more go to:

http://www.frostingusa.com

Trax from these albums will be played in the new year on the NBT podcasts, stay tuned for that.

http://nextbigthing.libsyn.com

 

 

The NBT Review 77

Heavy Water Experiments – Heavy Water Experiments (Intrepid Sound Recordings)

Sometimes the elements connect in just the right way and surround the listener with the right mood, environment, in which better to discover new music. Today as I explore this collection, the heat wave pulses, the road works outside shake and shout, in fact the whole damn day positively VIBRATES as I press play.

Welcome to the disturbance, it’s going to be a fine ride indeed.

This is the sound of a mirage, gentle shimmer of unreality, then that heat (now here in the speakers) explodes outwards, the dream figures melt, the colours collide, mesh frantic, the drums tiptoe up top the flames, and the song settles into an agitating lullaby. The vocals shift into focus, the harmonies subtle, and within all this fine magic, pop melodies strain against the ‘difference’.

Like a storm sneaking into the glare of a summer’s day, this band thrives on the ambiguity of it all, glorious messy mix of the chaos in the Jam and the structure of the song craft.

They let the instruments roar, and sing as people used to flying, finding the swoops and danger above somehow calming. There is a scent of the Psychedelic madness here, a tension grown from the soon to be freedom of the willfully frantic.

It is a place where the ghost of a traffic jam is filtered over the serenity of a deep forest, where the grit and grandeur of a festival edging into sunset along the howls of guitars is superimposed over forgotten photos of homes long lost by destructive lovers.

Never clumsy enough to be mistaken for simple hard rock, never bland enough to please those that seek the new age as a refuge from the difficult, it is an invitation to let go, to ride the hallucination bare back, to get fierce, to go crazy.

A LOT to discover here.

http://www.heavywaterexperiments.com/

Catch Tunes from the Album on the NBt podcast going out on the 8th July 2010

http://nextbigthing.libsyn.com/

If you use Internet Explorer you can stream snippets of a couple of the Tunes here

                               http://www.nextbigthing.co.za

  (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

   A chart made up from browsers rating and listening to the song streams can be found here:

                                      http://nbttopten.podbean.com/

The NBT Review 76

Gorgeous Enormous

Through A Screen Door Darkly – Carolyn Alroy (Wussy Records)

Love can be funny in a bitter sighing sweet way, especially when connected to a desire that is unspoken but deeply felt, mulled over, knocked about in an internal debate, while the focus of all this remains blithely ignorant. And so it begins with crystal clear simple guitar gracefully (all Byrds jangle) waiting for the vocal to complete it.

Alroy continues with the theme of things left unsaid, actions not yet taken, one gets the feeling that with every hidden thought, the picture of the singer’s self awareness becomes stronger, crisper. There is a flexing against mental bonds and this is the story of how they were broken.

Sometimes she changes personas and we get sweet with the bitter almost dropped, but made palatable by her intuitive sense of detail and mood. In those songs Love isn’t complicated it’s just something you want to, HAVE to flow along with. If you dare allow yourself that is.

Then back to the internal, the sound of revolution, heard by the girl who wants to be on the front line, wants her shout noticed wants her tears acknowledged, wants it to be the world where anything can happen.

This is a set of songs that seem to try putting into words what so many of us feel day to day, in our private ramblings and our social striving. This is an album about the delicious tension of WAITING.

Even the wondrous cover of Helter Skelter strips the fear and insanity of the original away and aims rather, for the taught desire, the Waiting to get that dance..just..right..

And what is beautiful about all this, is the fact that the outcome is nowhere near predictable.

The EP that follows is indeed a darker thing. Less pop country now, this has an eerie folk feel about it.  The perceptions here are distorted by mirrors, through the textures of screen doors, refracted by flickers of light. Love becomes as dangerous as the sea, and the common things in the girl’s world become talismans , roses and phones and tea all become extraordinary as we move in slow haunted motion in and out of these songs.

I for one look forward to whatever comes next from this talented songrwriter.

http://www.carolynalroy.com

Catch Tunes from both Album and EP on the next NBt podcast going out on the 8th July 2010

http://nextbigthing.libsyn.com/

If you use Internet Explorer you can stream snippets of a couple of the Tunes here

                               http://www.nextbigthing.co.za

  (After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

   A chart made up from browsers rating and listening to the song streams can be found here:

                                      http://nbttopten.podbean.com/

The NBT Review 67

Ghosts – Tokyo Rosenthal (Rock & Sock Records)

Begin with the urgent, like when Elvis was more country than Las Vegas; this is Sun Sessions with a lyrical sting in the tail. Is this about the way obsession wounds, or is it about the will to escape from a relationship where destruction’s maybe it’s only saving grace? In a skillful bit of minimalist writing Rosenthal shows this story from multiple points of view, and all the while the music rock-a-billys on.

Then the song gets gentle, gets personal, the insight is tempered with deep love, and a character (a soul) is sketched as we listen. A life is shared, the small tragedies and tiny (yet tremendous) triumphs, this is the way one person keeps, keeping on.

There is no perfect love but there is damn near perfect old time Americana swing here, the affectionate dance prevails, giddy yet tender it heals.

Almost an island lilt to the title track, the singer treats his darkness with care, as he moves into ballad; the beauty is in the details (no need for a million words of explanation) just the hint of a touch or a smell or, perhaps most importantly, an echo. Poignant memory, stripped off angst, no brittle thing this, rather considerate and eternal.

Mister Tell Me why this next song shouldn’t be a miracle of a cross over hit , just enough rough, just enough dirt, the smile this induces, is an intimate thing.

Then a curveball, an jazzy pop 60s curveball,  the less frantic Loving Spoonful perhaps, or the Monkees drifting towards psychedelic bubblegum, A lazy charming thing.

These are songs that are constantly surprised by the danger within an emotion let loose, are amazed by how the smooth flow of a day’s journey can be tumbled chaotic with just a word or a gesture. These are songs that are entranced with the Consequences of love and anger, how we travelers have too much understanding sometimes, thoughtlessness other times. These are songs that know that it is not necessary to preach an answer, but it is rather cool to set a listener down the road towards his or her own conclusion.

These are songs that seem to talk to each different one of us they are immediate in their connection yet their caress abides long after the player has stopped spinning.

http://www.tokyorosenthal.com

Hear tracks from this album on several NBT Podcast shows

 http://nextbigthing.libsyn.com/index.php?post_id=619263

http://nextbigthing.libsyn.com/index.php?post_id=614489

And coming up on the 30th June 2010 as well.

If you use Internet Explorer you can stream snippets of a couple of Tokyo’s Tunes here

http://www.nextbigthing.co.za

(After the intro Click on the ‘#Just want to look around# text it will take u thru to next page)

A chart made up from browsers rating and listening to the song streams can be found here:

http://nbttopten.podbean.com/

(personally I hope this cool Americana music will be up there really soon J)