The NBTMusicRadio Fantastic Themed Hours THREE :”Comfort In the Turbulent World”

”Comfort In the Turbulent World”

11 PM Berlin Time ( 10 PM UK/5 PM New York)

AND

10 PM California Time ( 1 AM New York) For our USA/Canadian Listeners.

Bring the disturbance home! due to many requests to have the hard rock section a little earlier for our European audiences, and a little later for our USA listeners, we have joined together the ”Comfort in a hard place” and ”More Fun In the Turbulent World” in a marriage of much anticipated excitement and organised chaos!

So now its not JUST Rock of the HARD variety, there will be PUNK on all its deviant forms and ages, METAL from the darkest dark to the sweetest pop edge,there will be INDUSTRIAL, a slice of GOTHIC, and a big scoop of PROG. there will also be a smattering of BritPoP just to liven things up.

please note: in this incredibly eclectic category more than any other; i get so many new bands every week, so the line up will CONSTANTLY be changing, shape -shifting, evolving, so If you dont hear your heroes one night you will be sure to hear them the next. but PLEASE do support all our indie bands, as they share the stage with the more famous makers of this noisy art.

Oh and finally broad minds are available at the entrance, dont come in without them :)

Featured (in no particular order)

Stiff Little Fingers, Voice Of Addiction, Hawthorne Project, These New Puritans, The Jam, Black Flag, IceAge, The Eversons, Thee Now Sound, Tokyo Police Club, Big Dipper, Shonen Knife, These Animal Men, Pylon, Interpol, Ty Segall Band, Revel 9, AeB,Eudora Fletcher, Mos Generator, Crawley, Odoghan,Baht, Shattered Destiny, Kill For Eden, The Mighty High, Dropbunny, The 31st Of February, Elizabeth, Title Fight, Love Of Diagrams, The Ruts, Be Your Own Pet, Echobelly, At The Drive In, Link Wray, St J and Rici Martins, Spartan, Grenouer, American Head Charge, Godard, Jai Alai Savant, My Talking Pua, Test Icicles, Wire, Deep Purple, Grifter, Pulled Apart By Horses, Gun Outfit, M185, Sweet Ray Laurel, American Head Charge, The Monks, Late Cambrian, Spizzenergi, Felt, Monochrome Set, Honeymoon Killers, Orange Juice, The Wild Eyes,Ulterior, Eternal Summers, male Bonding, Soft Pack, Dutch Uncles, Buzzcocks, Violent Femmes, Kill Kasper, Mammut, War On Drugs, Pretty Girls Make Graves, Afghan Whigs, Vaccines, Thirteenth Floor Elevators, S.C.U.M. Swell Maps, Stone Iris, Yuck, The Replacements, Dogs Bollocks,Black Rebel Motorcycle Club, Phoenix, Sonic Youth, D.U.N.E., Bruiser, Moist, Fen, MaHA Rocks, Carta Marina, Reverend Horton Heat, The Simpletone, The Cooper Temple Clause, Akarusa Yami, The Black Keys, Heavy Pink, Motorhead, screaming Trees, Skyskratcher, Blue Cheer, Ministry, Deftones, Alice Cooper.

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The NBTMusicRadio Fantastic Themed Hours ONE

Mood Swing Cool Club
9 PM Berlin Time( 8 PM UK 3 PM New York Time)
all the very best Jazz and blues and beyond. from roots music as far back as the 20s and 30s to the latest experiments within the form.
Featuring :
Little Junior Parker, Louis Batey,Elmore James,Barbara Gilles, Carla Thomas, Albert King, Larrisa and the Raindogs, Thelonious Monk, Ike and Tina Turner, Sonny Terry and Brownie Mcghee, Romina Di Gasbarro, Tom Rodwell and Storehouse, Chet Baker, Little Willie John, Joe Fletcher and the Wrong Reasons, Kate Campbell, The Great Recession Orchestra,Nico Wayne Toussaint, Oscar Peterson, Otis Rush, John Coltrane, Screaming Jay Hawkins, Marshall Lawrence, Dave Brubeck, Little Milton, Gene Allison, DC Clark, The Adrienne Hindmarsh Trio, Tiffany Tatum, Cassandra Wilson, Herbie Hancock, Robert Wyatt, Sophie Durnier, Gordon Bonham, Pretty Things, Hank Williams, Coleman Hawkins, Doc Watson, Bobby Soulsby, Odetta, Nat King Cole, Ella Fitzgerald, Charles Mingus, Wynonie Harris,Bunny Berrigan, Stan Getz, Sun Ra, Junior and the Saharas, Little Esther,Bukka White, Howling Wolf, Josh White, Sarah Vaughan, Glen Miller, John Lee Hooker, Maria Rylander, Doug Prescott, Robert Johnson, Ruth Copeland, Julia Lee, Max Carmichael, Billie Holiday, Count Basie, Sonny Boy Williamson, Eddie Mack, Robert Johnson, Steven Caspar and Cowboy Angst, Art Tatum, Mississippi John Hurt, Ali Farke Toure, La Lupe, Carmel, Soul Continentals, James Brown and the Famous Flames, Cab Calloway, Amadou and Mariam, Rufus Thomas, Lenelle Moise, Meredith Monk, Jack Sheldon, John Zorn, Wilson Simonal,Keith Jarrett, Barbara Gilles, John Fahey, Big Mama Thorton, Buddy Guy,
and MUCH Much More
http://nbtmusicradio.playtheradio.com/
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The NBT Review 122

Send Me Home – Jaspar Lepak (Independent Release)

This Review by Helge Janssen

The voice opens and draws you in, it soars and takes you with it, it dips and saddens, lilts and widens…..and you suddenly find yourself on the Jaspar Lepak flight:
an inspirational wing across a world landscape as broad as it is deep, as beautiful as it is dark, as light as it is sorrowful. It twists and turns, swings and rhythms, rocks you shakes you….but the beauty never leaves you: a mesmerising combination of the utterly
angelic with the tender pique of hard earned experience. This integration gives a weight to her being, to her presence, with a gravitas that is yet born with ease and is deceptively uncomplicated.
Jaspar is thus immediately accessible to a wide range of listeners, and while her genre is firmly rooted in ‘country and western’
there are elements of folk, rock and blues.

And her words paint fluid pictures -

send me home:

“…I lost my
light, I lost my light
don’t know when I let it go dim
my spirit cries out
my spirit cries loud
I’m sadder in any church
I feel better in any crowd….”

clouds:

“…and you carry your dreams on a million pots of coffee
and your hands can’t find nothing more to hold….”

to pieces:

“…every night we prayed to Jesus
while we told each other lies..”

america the beautiful: this is Jaspar’s foray into a view of her country that looks through the veil of the american dream extremely
poignantly and, in my view, most accurately yet with compassion – and it appropriately takes the form of a lullaby -

“Is their dark inside your spirit?
Are you far down in the well?
Don’t you worry little darling
Love will come and break the spell…
But love won’t come on a white horse
little darling love will come
not just for you but for the masses
who have faces everyone…”

Every track holds a memory in a sacred place and is indelible.

In sum “Send Me Home” while originating/germinating within everyday experience, crosses into the metaphorical – searching, discovering, and claiming the inner journey towards ‘self’. In this sense Jaspar carries the cresset of an established musical tradition that bears the flame of wakefulness. Thus it is that new discoveries of meaning await with each replaying.

And replay it I do!

The production of this album is excellent. The harmonies within the backing vocals (Andy Thompson, Rachel Van Scoy, Kale Lepak, Mother Banjo and Kim Bahmer on specific tracks) are always inventive with an intuitive spontaneity that lends an immediacy that never fades no matter how many times you hear them. The wonderful use of the accordion (Kale Lepak) and the array of backing instruments (Andy Thompson) lends subtlety and distinction.

“Send Me Home” has been expertly produced, recorded and mixed by Andy Thompson at his home in Minneapolis. The track “Minneapolis’ was recorded by Jaspar at her Durban home!

“Send me home” is an exceptional album. Get it. Listen to it. Be amazed.
You can buy the album from Jaspar herself as she performs in and around Durban at regular intervals. Avail yourself of this opportunity to hear her live before she returns to Minneapolis. And be amazed.

http://www.myspace.com/jasparlepak

You will be able to hear trax from this album within next weeks Podcast and spread around the NBTMusic Radio as well !

http://nbtmusicradio.playtheradio.com/

The NBT Review 120

Dropping Down – Giulia Millanta (Ugly Cat Music)

It’s a brave thing indeed to start of a set with a song that has, as its main focus, Anger. It could set us up for angst perhaps or that
shouty kinda righteousness that some protest singers favour. But ‘Right Between The Eyes’ balances the singers (rage) disappointment with a restrained sort of energy, holding back when it needs to, letting a gentle folk even reggae mood drift though, but keeping the bite, the tension perfectly.

It’s because its personal. And that’s the album’s defining core, these songs come from the heart and the mind, what takes place is seen through the singers eyes, what is felt is what she feels, and oh she is curious, feisty, humorous, yet introspective. And she manages somehow to make that introspection blossom outwards so that we become emotionally attached to the words and music.

She sets the scene, and often that scene is surreal, yet with a few words you catch on to all the characters, and where they fit, if only for a few seconds before they slip slide away, melt, fade into each other as she tumbles us gently into another chapter.

On the cover we see the artist seconds after taking the great leap off, down, into..where exactly? and we wonder if she will be able to
illustrate through her songwriter this ambiguous fear or joy or that satisfying mix of both.

Wonder no more, this free-fall is seductive, delicious even strangely comforting.

Her arrangements too fit this slow dive, never fussy, the instruments shift around the voice like the wind against the body falling,
special mention must be made though about Lorenzo Forti’s bass which slinks and curls around the songs, sly and provocative.

Millanta takes us on a quirky sideshow reading of Paranoid, which displays a subtle theatrical pose, before ending the set with ‘Floating’ which is placed perfectly as it seems to be an answer of sorts to all the questions raised within the previous stories, an acceptance of love, of self and finally of life.

Find out more

http://www.giuliamillanta.com

Look At The Sound – Jebediah Goodthrust (Independent Release)

 Holy Banjo Batman!  The Country superhero brings us another slice of home cooked rock n roll, or maybe its moonshine, He sure does strut across the speakers like a good old young man all dressed up fine for a Saturday night adventure.

Mr Heise plays about 85% of what goes on here, but weirdly this is the most BAND sounding album of his long curved career.

This is the Breakthrough collection the one that could shove those that merely admire into something resembling pure love. And I for one will rejoice mightily when that happens.

It even boasts a bona fide classic rock single in ‘Go’ which is a gloopy mix of Sweet Jane Velvets and Paul Westerberg  all applied with a big brush onto that unmistakable Heise Brothers structure.

But the fun doesn’t stop there!

There are ungainly waltzes (cowboys learning to love and dance, their minds half on that pretty face half on the hassles and weight of the world outside), and even that peculiar kinda post punk ballad type thing that only a certain type of deviant American really understands or gets right.. again though its the Heise twist that defines them, so its Pixies or Pavement (depending on the hour and the song) but with that  smudge on the windscreen perspective.

Personal favourite  for me, (let it be said that this collection is FULL of faves)  is ‘So Tired’ a song that builds and falls , builds and falls and  contains a delicate tension that bodes well for future releases and also gets that difficult creature that is Nelson’s voice just
right.

Look, they are never really gonna be mainstream, but this one flirts with the possibility, and is perhaps the brothers finest achievement thus far.

And if this ‘solo’ outing makes you , gentle listener want to explore the back roads that the Hit and Mrs and The Heise Brothers travelled, then that’s a damn good thing.

Http://thehitandmrs.bandcamp.com

 Tracks from BOTH these fine recordings can be found on the NBTMusic Radio

http://nbtmusicradio.playtheradio.com/

 and they
will also be featured on the NBT Flagship Podcast going out tomorrow
on this very set of pages :)