The NBT Wonderful Ones 2009 Part 1

Part One

Part Two can be found here:

https://nbtmusic.wordpress.com/2009/12/18/the-nbt-wonderful-ones-2009-part-2/

You can see pictures of Most of the artists mentioned here on our special visual page

http://nbtmusic.jalbum.net/NBTWonderfulOnes2009/

And of course HEAR them on the NBT Podcast, talking and singing rare tracks, cool festive ditties and songs not yet released. That goes out on the 21st Dec 09.

http://nextbigthing.libsyn.com

2009 was a funny old year. Full of doom and gloom and displays of sadness, some heartfelt, some purely for the camera. Reality music shows increased in viewership and the cynical sad little man that is Mr Cowell even went online  to complain about people daring to vote for Rage Against The Machine to top the Uk charts over Christmas. It would spoil his no talent ‚product‘ hopes and dreams he said..The major music companies kept up their moans and groans and attempts to muzzle independent musicians and websites. They tried to make You Tube take away most of their content hoping to entice browsers back to watching/listening to the 10 artists that they could be bothered to promote, and for every artist they turned ‚‘invisible‘ on the site another Three new exciting acts popped up ! And weirdly after years and years of saying that a big reason for music being so expensive was the artwork and packaging etc.. the price of buying the major label stuff online wasnt really that much cheaper. It was the year of the comeback.. Eminem,  Jennifer Lopez and Robbie Williams, all of whom, thankfully didnt do nearly as well as their owners had hoped. The biggest comeback of course was Michael jackson who had to take the radical step of dying to achieve his years success. His record company took the opportunity to flood the stores with everything he ever made, grinning and slobbering their way to the bank happy in the knowledge they wouldn’t have to waste time promoting or helping any new talent.

But… you know what?

Outside the mainstream, away from the rumble and mumbles, the music just got BETTER.

Braver

Cooler.

It stayed honest and it took chances and it captured hearts and minds and souls by the millions.

And NBT remained part of that.

Here, in no particular order, are the Wonderful Ones of 2009.

Darren Gaines and the Key Party 

 The Bar-room Balladeer, the RocknRoll Poet this was the howl heard 20 seconds before closing time and the whispers FELT in bedrooms hours later.

The Key Party in their own words:

      2009 was a year. The Key Party was called “menacing” and “tuneful.” My Blacks Don’t Match was called “a perfect rainy day record for those times when you feel like something a little soulful and sad on your stereo” (Jersey Beat) and the full-length made some top records lists of the year including, of course, Next Big Thing’s. We played some wonderful shows as artist-in-residence for The Gershwin Hotel, Manhattan and had a stripped down version of The Key Party short listed as one of the top live shows of 2009. Our subversive lounge music was dubbed “noir rock”. Lastly we graced our first glossy magazine cover (well our name if not our faces) in a wonderful interview in the Spanish Mag, Ruta 66 (December 2009).Some of my favorite quotes from the year were:

“a poker game between Jim Carroll and Lou Reed, the shock sweetened by jiving horns and vocalist/violinist Sara Syms adding grace to the battle… There is a true sense of urban epic in these songs.” – Next Big Thing

“The band may play in a very stylized genre  – think every noir style ever invented, from Tom Waits to Lou Reed – yet so much of their material is out-of-the-box imaginative.” – Lucid Culture

“a musical mud sluice leading to a bluesy underworld that is as endearing as it is frightening… you get the sense that Darren Gaines was raised in a world where you’d be happy to keep a family of sewer rats as pets, or even friends. Despite the dark and dingy analogies that I’ve been overusing in this opening paragraph, the fact is that, simply put, I love this album.” – itsnothebandihateitstheirfans

“… eleven swaying, jazzy and devilish sounding tracks, which by conclusion you are ready to attend the party again!” – The Fire Note

2010 will be another year. The Monsters! are coming… The primary focus of TKP will be Billboards! (our next PROJECT). We’ve completed two songs including Monsters! which is available as a teaser track on Next Big Thing. Billboards!, intends to be an out of the ordinary release…  

      http://www.thekeypartynyc.com

HuDost

Mixing elements of Prog, Folk, Ambient and  even Electronica and Dance, HuDost raged hard, gleefully, against the dying of the light. Making the world glow just a little bit more wherever their music was performed.

HuDost in their own words:

      Oh, to summarize a year…what a strange process. Years are the selection of segments of time that blend into the whole. They, and time for that matter, are the strange encapsulation of human perception of the life process…the measurements of moments of birth, growth and disintegration of form before that which is being observed becomes the material and conceptual basis for newly generated life. With the daily and yearly enshroudments of “time” we lose sight of the whole…an expansive, unidentifiable universe in which time is irrelevant. With that said, 2009 has been a phenomenal year.

 

We toured for eight months out of the year, performing at a good number of wonderful performing arts centers and festivals (Including headlining NPR’s World Fusion Festival, FloydFest, the Levitt Pavilions, Tim Robbins’ WTF Fest, and many others). In May we released our new album ‘Trapeze’ which was produced by Grammy winner Malcolm Burn (Emmylou Harris, Peter Gabriel, Bob Dylan) that was recorded right after I (Moksha Sommer) was diagnosed with a brain tumor and prior to surgery. I have gone through an astounding healing process using music as the primary tool to regain language abilities. Every year is a strangely intriguing mixed brew in a bucket…the question, of course, is whether it is half empty or half full. I have done a census and the members of HuDost think it is definitely half full and getting fuller. After all, we will be touring Germany in 2010!!!

http://www.hudost.com/

Yang May Ooi

Is a writer and blogger, specialising in cross-cultural issues and social media.

Promotes, discusses, hypes and BELIEVES in the Net. The Blogs the apps, the fads and the innovations, she knows its a brave cool new world and everything she writes spreads the message.

Yang May in her own words:

 The high point of 2009 for me was the publication of my book International Communications Strategy, co-authored with cross-cultural communications expert, Silvia Cambie. The book explores the rise of emerging economies such as India and China, and also the rise of emerging technologies like social media and their impact on global business communications. We spent much of the summer promoting the book with interviews and articles in mainstream media as well as on blogs and podcasts. Writers like musicians have to do the rounds of promotions and publicity, too, and we’ve been finding that making connections through blogs and Twitter has been just as relevant at reaching our target audiences as being profiled in journals and so on.

The lows of the year? I started running earlier in the year and it was frustrating not having enough time to build upon a promising start. I’d got myself fairly fit and then let things slide so I’ve had to huff and puff and claw my way back from flabbiness this autumn! Here’s hoping that I can keep the running up through the winter into a fit and fabulous new year…!

www.fusionview.co.uk

Amchitka 1970

The archive release of the year.

 NBT got to interview Barbara Stowe, the daughter of Greenpeace Founder Irving Stowe and discovered a woman that still believes that through Action  and Belief wrongs can be righted and that the spirits shown all those years ago still exists to this day.

From the Greenpeace Canada website:  ‘’The two-disc CD takes you back to October 16th 1970, when 10,000 people gathered in the Pacific Coliseum in Vancouver to hear Joni Mitchell, James Taylor and Phil Ochs and support the very first Greenpeace action ever taken – the legendary voyage to Amchitka to protest nuclear bomb testing.’’  

Read the interview here:

 https://nbtmusic.wordpress.com/2009/12/01/the-amchitka-concert-1970/

Dizzy Gotheca  

   Electronica that dares to dance dirty and dance seductive, sometimes playing at being angels, sometimes hi-lighting the devils within themselves this Brisbane group made some truly beautiful music this year.

Dizzy Gotheca in their own words:

  In September we released our second EP ‘A Little Closer To The Truth’ which we are really proud of. Scene Magazine describes the EP as ‘a journey of love, hope and evocative electronica bliss’. This avante pop electronica exploration features tracks we worked on with esteemed local producers Lawrence English, Joe Panetta and Wernher Pramschufer. It features the QSong nominated track ‘Little Beat’, the infectious and gritty dance/pop of 313 and the ethereal hymn Sky Over Israel.

I (Heidi) also organised a fashion show which we played at. It featured the amazing avante garde designer ‘Athan Jon’ collaborating with visual artist Anthony Jigalin and body painters, as well as beautiful summer dresses from my sister’s label ‘Mariposa’, and some other great bands and DJs. Our Anthony (Smith) organised ‘Holes and Poles’, a Brisbane queer band fest… Anth also made our first hand made home made video clip which we filmed (with a camcorder) on beautiful Bribie Island (see http://www.myspace.com/dizzygotheca). We got to play some great shows, including at the Hangar which is an awesome underground venue here in Brissie as well as Brisbane’s second Fete de la Musique.

in 2010:
We are doing a little DIY tour down the east coast of Australia early in March. We might make it to Japan and Europe at the end of 2010. We will be writing lots of new songs for sure – we held off writing much new stuff until our EP  came out. You can also expect more hand made videos and podcasts ! 🙂 We will be putting our first LP album together…hopefully! Hopefully the muses and gods of inspiration will be helping us.

http://www.dizzygotheca.com/

Thromboes

And so we boogie back to the garage, raw poprock nuggets for the 1st decade of the new century, looking back jumping forward.

The Thromboes in their own words:

Well, here it is the closing of another year. The Tromboes CD, “She’s Like A British Car” came out this spring and for that reason 2009 was a productive year. The Thromboes are: Dave Powers , bass guitar; Bongo LaHair on drums, and Larry Levy on vocals and guitars. The CD was my first attempt at vocals so in a sense it was my coming out. I have to say that singing was the most fun I’ve had musically in years since I had no idea what the end result would be. I winged it! My lyrics were the driving force.

As always, Dave Powers, who I have had the honor and pleasure of working with on three Swiv-o-matic CD’s and three Histrioniks cd’s was keeping up the bottom end with his superb bass playing and musical ideas. Cat Levy put down harmonies on three of the songs. She was the lead singer on all three Histrionik CD’s as well and along with Dave are the most creative artists I’ve ever worked with. So again, 2009 was a productive year for me.I am planning another CD due out next year that will either be another Histrioniks CD or another Thromboes CD. Perhaps, you the NBT audience, can weigh in. Write to me at either myspace with any ideas or suggestions.

Until then, a happy and healthy holiday season to all and best of luck with your musical endeavors. A special thanks to Martin for all his efforts and support. Without you my friend, none of this would ever be possible. You rock!

http://www/myspace.com/thehistrioniks  

http://www/myspace.com/thethromboes

 Izzie Voodoo  

    Spiky glam slightly gothic flirty industrial very dance floor.. the ingredients never stop sliding into this Popfantastic audio concoction.

Izzie Voodoo in her own words:

       ‘2009 has been an up -the- scales affair beginning with the welcome addition of Sarah Bird’s second vocals to iZZiE Voodoo’s  live outfit. Sarah has brought yet another superb dimension to the Voodoo stage performance with her exotic (towering!) lively stage presence which adds to the verve, determination and excellence of our trio. With careful rehearsal this has now become tight and vibrant, enhanced even further by our new permanent backdrop of projected visuals, directed by bass player, Lawrence. This has bought us a well earned live reputation- the kind that generates requests for several last minute gigs in a  week  at different venues , in between our schedule.

February brought a surprise when the organisers of ‘Song of the Year 2009’ demanded ‘Control Freak’, a song which was still in the studio, should be  nominated into the final rounds.

Deuce Management have been helping promote my studio material and ‘Control Freak is now finished with preparations  being made for it’s release in early 2010, backed by ‘some weird video or other’. The rest of the year will follow, with a  string of new singles rather than an album and many more  gigs which are to be confirmed including an appearance at the Electronica venue at the Whitby Goth Festival. We are very excited- and so should you be!’

http://www.izzievoodoo.com/

All Day Sucker

Harmonies and sun drenched power pop, glossy cinematic tall tales, with shiny wry coating this was an all day, all night party for the intelligent.

All Day Sucker in their own words:

 2009 started off predictably with New Years Day and never really took off from there. The characters were two dimensional and never transcended their roles to make for any long lasting or meaningful impression. Although the plot took many unexpected twists and turns there was no real pay off. The story was ripe for high drama, true human emotion and true spiritual poignancy, however it became too self aware and settled for cliches and mundanity. Still, it did set itself up beautifully for a triumphant sequel in 2010 that could potentially make sense of the entire opus and exalt the entire story into a masterpiece to be reveled for all time.

http://www.alldaysucker.net/

Detroit Rebellion

This complicated simple stuff…This sparse set of minimal tunes took on the big subjects, love , hate and work and quietly became one of NBT’s most loved recordings of the year.

 Detroit Rebellion in his own words:

 “2009 was a year of reinvention for me.

I returned to playing music while reinventing my relationship to it… as well as the way I play
it. I went back to my earliest memories to begin again. It was the hardest thing I’ve ever done
musically.

I am looking forward to 2010.

By returning to the past, I’ve got a new outlook on the future. I am excited about the idea of
writing new songs that incorporate a bit more ofwhere I’m going than where I’ve been i.e. future
blues.”

 http://detroitrebellion.com/

 D-Mitch and Spoonfull

It was always a pleasure to get good rap music sent my way, and ‘’Keep The Change’’ was a collection of the very best, using hip hop as a mere starting point and venturing into folk and soul and late night trip hop.

 D-Mitch and Spoonfull in their own words:

2009 was a huge year for us.  We started working on our debut full length, “Keep the Change,” in March and focused all of our efforts on its release throughout the summer.  After putting out the record on October 31st, we took some time to promote individual songs online and perform a handful of local shows.  In 2010 we plan to promote the new record, play some local gigs, and release several individual tracks online for free.  We are also looking to tour Europe for roughly a week sometime in late spring if possible.  All in all, it was a great year and we look forward to what 2010 has to offer.  Thanks to Martin and NBT for allowing us to be a part of this fantastic podcast!

 

http://www.cdbaby.com/cd/Spoonfull2

 Memphis Reigns and Hypoetical                                                                                                               

 Staying in the hip hop genre for now, another collective who transcended borders and barriers, the Mind Mechanics of the Skeleton Crew Diaries arrived full of unforgettable hooks and shiver inducing urban pop tunes. An instant classic.

 In their own words:

Very successful year for myself as an individual and the Mind Mechanics Crew. 2009 re-sparked my love for music. It resulted in the recording of the Skeleton Crew Diaries with D-Mitch and the Allied Forces EP with MC Piloophaz from France and long time partner in rhymes, hypoetical.

After such a long hiatus, it felt good to get back into studio.

2010 should bring many good things. My solo, The Frog Hill Legend is near completion and work onthe Mind Mechanics 2 album has begun.

Thank you to all the fans who kept our music alive.  Happy holidays to all!

~Memphis Reigns

 

Been a great year for me in all aspects of life, especially creatively. Despite getting a pink slip,

I was able to re-route my path to music and focus on the arts again. I was glad to put out some

new works and collaborate with others who share the same passion for music. 2010 should be an even better year for me and especially the Mind Mechanics crew as we chip away at finishing a second full length LP. Nonetheless, I can’t thank all the fans/listeners enough for their continued support because when it comes down to it, we wouldn’t exist if there weren’t folks out there who listened to the music.  Happy new year to everyone!

-hypoetical

http://www.myspace.com/mmechanics

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The Amchitka Concert 1970

From the Greenpeace Canada website

‘’The two-disc CD takes you back to October 16th 1970, when 10,000 people gathered in the Pacific Coliseum in Vancouver to hear Joni Mitchell, James Taylor and Phil Ochs and support the very first Greenpeace action ever taken – the legendary voyage to Amchitka to protest nuclear bomb testing.’’

The Protest was unsuccessful and the testing went ahead, But the War was far from lost and Greenpeace went on to become an extremely powerful Voice for those who cared about the Earth and Environment and against those politicians and business men who through action and inaction threatened the delicate balance of true nature.

NBT is proud to have been given a chance to interview Barbara Stowe, daughter of Irving Stowe, one of the founders of Greenpeace. She is author of the insightful and touching liner notes for the ‘Amchitka 1970’ CD.

NBT: Why the release NOW, why wasn’t this put out in the weeks, months, years after the actual concert, did it have to do with technical problems or getting the release of the Artist’s music from their record companies and so on?

In the beginning, Greenpeace was a local organization consisting of at most a couple of dozen volunteers, and the time and energy needed to see such a project through would have been overwhelming. We were too busy trying to stop nuclear testing worldwide!  My father would have been the logical person to consider such a thing, given his passion for music, chutzpah and his legal background.  But he got cancer and died in 1974.

My family has always hoped that Greenpeace would be able to get permissions and release this music, but just to get the ear of busy artists like Joni and James was a daunting prospect.  In 2003 my brother got the ball rolling by transferring the music to CD, and he presented my mother and myself with a CD each as Christmas presents.  He is a meticulous person and he’d timed each song and crafted a few paragraphs about the concert and the technical recording details.  He even used photos of the artists taken at the concert for the covers.  He realized he’d created something Greenpeace could use as a prototype to seek permissions, so he proposed the project to Greenpeace.  When they sent John Timmins out to Vancouver, I knew they’d found exactly the right person.  John is a founding member of the Cowboy Junkies — a renowned Canadian band — and also a Foundations Officer for Greenpeace, and given his passion for the project, his background as a professional musician, and his experience in activism, he was perfect, and we were very excited.  That was two and a half years ago.

NBT: Have you ever visited Amchitka?

Yes. I was part of the “Bering Witness” campaign in the summer of 2007, when the Greenpeace ship Esperanza sailed to Amchitka.  The whole trip totally blew my mind.

NBT: World Powers are always wanting to re-activate Nuclear Testing, in your opinion is there a solution to this problem, or will Greenpeace and others still be fighting the ‘good fight’ 20 years from now?

The solution is clear.  Nuclear weapons threaten us all, and should be eradicated from the face of the earth.  But I’m not naïve.  I suspect Greenpeace may still be fighting to end nuclear testing in 20 years time.  Nonetheless I refuse to relinquish hope, and I’m glad that leaders like President Obama and Russian President Medvedev are talking about denuclearization. Greenpeace can help hold their feet to the fire and push them to make good on their promises.

NBT: The 3 artists perform and create in ways that are very different to one another, how did this change in styles go down with the audience of the time?

There was tension because everyone wanted to hear their favorite artists, and this electricity was intensified by the fact that it was one of the most politically charged days in Canadian history.  Martial law had been declared at 4 o’clock that morning, in an attempt to quell terrorism in Quebec.  So when Phil Ochs, who is a fervent activist, got onstage and started to play, the mood was heightened. Someone put up a banner about the War Measures Act (martial law) and someone else tore it down.  And you can hear Phil on the CD, saying “I never played in a police state before”.

But people were ultimately respectful, and in this sense, the whole concert became a kind of visceral metaphor for peace.  Because there could have been real trouble, but there wasn’t.  I mean, there was zero security!  All the ushers that night were volunteers who had no experience, and everyone just sat wherever they liked…you can see in the photo, look at the floor, there are no aisles, the whole floor is covered with people sitting on every inch of it!

Part of the reason there was no trouble was respect for the cause, and part of it is down to Chilliwack, who played this brilliant set that got us on our feet dancing for joy.  I’d never heard Chilliwack live and it was a revelation.  Recently I asked Bill Henderson, the lead singer, how they did it, because one song seemed to segue magically into another, I can’t even remember any separation.  He said that the way they were playing then was to start with quiet sounds that served to ground both themselves and the audience, and then gradually develop those sounds into melodies and rhythms, and eventually find a way into one of their songs, and then into another, and so on.  It takes a lot of trust and vulnerability to do that and I think the audience really responded in kind, so that a special bond developped between performer and audience. And then, James further chilled out the crowd, I’m still amazed at how he did that, it felt like we were almost hypnotized with bliss.  He was singing us lullabies, you know, “Sweet Baby James”…”won’t you let me go down in your dreams…and rockabye sweet baby James”.  And Joni, she just let her lyrics speak: “bombers turning into butterflies above our nation”.  It was really beautiful.  I sound like I’m back in the Seventies now, don’t I?

NBT: Did you get to meet the singers? Offstage what were they like?

Phil Ochs came to our house for dinner before the concert.  He was outraged that we were under marital law. Canada was considered such a benign country, a peaceable kingdom. But Phil kept his fury in check when it came to personal relations.  He gave my brother a cigar from Cuba, which Bobby treasured for years.

When Phil came back to our house several years later on another tour I had the impression of a gentle and deeply tormented man.  He was so depressed that when I later heard of his suicide I was very much saddened but not really surprised.

I didn’t get to meet Joni, but my brother did.  He went to the airport with my father to pick them up.  He told me there was only room for one other person in the car besides my father, and that was him, and I had to go to school!  And I did!  I’m still kicking myself.  But people at school were psyched about the concert, so that was pretty cool.  My brother saw Joni and James kissing in the back seat of the limo, they were in love.

I met James backstage on a later tour. He invited us into his dressing room and he had that Southern charm.  He was extremely cool and good looking and I’m sure I blushed to the roots of my hair!

NBT: You mentioned your Dad’s love of all forms of music, in 1970 what were the Teenagers such as yourself listening to?

Some of the favorites for my crowd were Joni Mitchell; The Beatles; Crosby, Stills, Nash and Young; Leonard Cohen; Laura Nyro; Jefferson Airplane and Simon & Garfunkel.  We also loved Chilliwack and Small Faces, and until the concert, I hadn’t heard James Taylor, but after I heard him I became a big fan.

NBT: Why is Chilliwack not on the CD?

What happened was, during the concert, my father saw a tape recorder under the stage, and he went to the sound engineer and said, “Dave, I see you’re taping this.”  Dave said yes, I always tape my concerts for technical reasons, and Dad said, I want a copy.  Then he went to the artists’ managers and asked for permission to keep the tape for personal use.  All the managers agreed, except Chilliwack’s. So the copy that my family had all these years never had Chilliwack on it.  During the past year, Bill Henderson launched a valiant search to find the master tape which might have still had Chilliwack’s portion on it, but he couldn’t find it.

NBT: The proceeds of this release, what will Greenpeace use the money for?

To support Greenpeace campaigns: climate change, forests, oceans toxics, sustainable agriculture, disarmament and peace.

NBT: In your opinion: Were the 70s more optimistic/hopeful than this day and age, could this concert have happened in 2009? This release must bring many bitter sweet memories to you; tell us how you see the Political world, the music world. Are there still free world activists willing to risk life and limb to change the status quo? 

Oh, why not ask me some hard questions, Martin? Ha ha ha ha!  Actually I love questions like this that make me think.  To answer your first question:  Was the 70’s a more optimistic and hopeful time?  It was in some ways.  Many people believed that existing power structures and institutions had to be smashed and a new way of living had to be created. In this sense the ‘70’s was more optimistic because people really believed that a more utopian, peaceful existence was possible. And the social revolutions of the Sixties and ‘70’s, the Civil Rights, Women’s Rights and Gay Rights movements did so much to further change.   But these movements were driven by historic tragedy as well as hope, they were driven by anger, and by a willingness to die for a cause.  So while there was optimism, there was also this dark underside of rage and the struggle for freedom was fierce and painful.  Then there was the Vietnam War which literally tore American families apart. And the music of the day, which can’t be separated from the times, was driven by this darkness and a soul-searching at the deepest level, as well as a corresponding and opposite belief in love and hope, peace and change.  You can hear the music reflect all this, whether it’s Phil Ochs raging “I’m Not Marching Anymore” or Joni’s bombers turning into butterflies, in “Woodstock”. 

Your second question, could this concert have happened in 2009?  I don’t know.  I think great musicians like Joni, James, Phil and Chilliwack, who have so much heart and soul, will always respond to an appeal as urgent as the one to stop nuclear testing on Amchitka.  U2 is a modern example of artists responding to urgent need, on both anti-poverty campaigns and environmental campaigns.  Which, incidentally, thankfully, no longer have to be considered separate campaigns, now that anti-poverty activist Kumi Naidoo has been appointed head of Greenpeace International.  But I digress.  To get back to the point:  I believe great artists will always commit for a worthy cause, but as for the nature of the thing, that is a concert with no backup musicians, no visuals, no big screens, just one musician and a guitar commanding a huge arena?  I don’t know.

Also there is something magical in the spontaneity of these performances, perhaps because the artists didn’t know they were being recorded, which is ironic given that we’re so glad now that it was recorded.  The instant musicians step onstage nowadays a million iphones capture their every breath.  There’s something sad about that, because when you’re recording, you’re not present. It breaks the intimate connection between performer and audience, and that changes the performance.

As for the third question, how do I see the music world and the political world?  Well in terms of music I’m overwhelmed by the wealth of music now available to us! It’s wonderful, but also I think today it’s more difficult for artists because the bigger the talent pool, the more they have to fight for attention, and art and public relations don’t go together. I’d like to see artists more nurtured and respected and the almighty buck take a back seat.  When commerce takes precedence it weakens us culturally and lessens our humanity. Phil Ochs says it pretty clearly in “Chords of Fame”.

As for politics…it’s easy to live in fear and anger — the Bush Administration was driven by it — but I think the brave thing to do is to try to live in hope, no matter how difficult things become, and we couldn’t be facing greater challenges than we are in this millennium.

And as for whether there are still free world activists willing to risk life and limb to change the status quo?  Absolutely!  I saw them on the Esperanza.  Greenpeace is full of activists who are utterly committed to peaceful non-violent action.  It inspires me and gives me hope.

You will be able to hear Barbara herself say a few words and listen to trax from the CD on the NBT ‘best of 2009`Special 21st December 09

http://nextbigthing.libsyn.com/

Learn more about the release here:

www.myspace.com/amchitka

www.twitter.com/amchitka1970

www.facebook.com/pages/Amchitka/60751539970