The NBTMusicRadio Fantastic Themed Hours THREE :”Comfort In the Turbulent World”

”Comfort In the Turbulent World”

11 PM Berlin Time ( 10 PM UK/5 PM New York)

AND

10 PM California Time ( 1 AM New York) For our USA/Canadian Listeners.

Bring the disturbance home! due to many requests to have the hard rock section a little earlier for our European audiences, and a little later for our USA listeners, we have joined together the ”Comfort in a hard place” and ”More Fun In the Turbulent World” in a marriage of much anticipated excitement and organised chaos!

So now its not JUST Rock of the HARD variety, there will be PUNK on all its deviant forms and ages, METAL from the darkest dark to the sweetest pop edge,there will be INDUSTRIAL, a slice of GOTHIC, and a big scoop of PROG. there will also be a smattering of BritPoP just to liven things up.

please note: in this incredibly eclectic category more than any other; i get so many new bands every week, so the line up will CONSTANTLY be changing, shape -shifting, evolving, so If you dont hear your heroes one night you will be sure to hear them the next. but PLEASE do support all our indie bands, as they share the stage with the more famous makers of this noisy art.

Oh and finally broad minds are available at the entrance, dont come in without them 🙂

Featured (in no particular order)

Stiff Little Fingers, Voice Of Addiction, Hawthorne Project, These New Puritans, The Jam, Black Flag, IceAge, The Eversons, Thee Now Sound, Tokyo Police Club, Big Dipper, Shonen Knife, These Animal Men, Pylon, Interpol, Ty Segall Band, Revel 9, AeB,Eudora Fletcher, Mos Generator, Crawley, Odoghan,Baht, Shattered Destiny, Kill For Eden, The Mighty High, Dropbunny, The 31st Of February, Elizabeth, Title Fight, Love Of Diagrams, The Ruts, Be Your Own Pet, Echobelly, At The Drive In, Link Wray, St J and Rici Martins, Spartan, Grenouer, American Head Charge, Godard, Jai Alai Savant, My Talking Pua, Test Icicles, Wire, Deep Purple, Grifter, Pulled Apart By Horses, Gun Outfit, M185, Sweet Ray Laurel, American Head Charge, The Monks, Late Cambrian, Spizzenergi, Felt, Monochrome Set, Honeymoon Killers, Orange Juice, The Wild Eyes,Ulterior, Eternal Summers, male Bonding, Soft Pack, Dutch Uncles, Buzzcocks, Violent Femmes, Kill Kasper, Mammut, War On Drugs, Pretty Girls Make Graves, Afghan Whigs, Vaccines, Thirteenth Floor Elevators, S.C.U.M. Swell Maps, Stone Iris, Yuck, The Replacements, Dogs Bollocks,Black Rebel Motorcycle Club, Phoenix, Sonic Youth, D.U.N.E., Bruiser, Moist, Fen, MaHA Rocks, Carta Marina, Reverend Horton Heat, The Simpletone, The Cooper Temple Clause, Akarusa Yami, The Black Keys, Heavy Pink, Motorhead, screaming Trees, Skyskratcher, Blue Cheer, Ministry, Deftones, Alice Cooper.

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The NBT Review 34

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BQEP – The Bloodsugars (EngineRoom Recordings)

The song glides into focus, shivery buildup then POW, a PoPManAngel floats, no, swoops down, grabs us, and now we fly, now dance in this cool indie heaven. This wicked angel sings of the Quiet of Space and we find ourselves slow dancing beneath glitter ball sparkleStars.

This then is the single, ‘’Purpose Was Again.’’

Then guilty pleasures taken, with 80s keyboard kisses, the melody flirts but the lyrics are sharp, anger wrapped in sweet shy hooks.

Cinderella drum driven, chart song tensionNfrenzy recalling  the days when MTV, showed shy daughters sway and strut with lines of highly choreographed boys behind them.

Polished and shiny sure, a gentle post punk song-craft here, allowing the harmonic dangerous to slip through, ripples of disturbance, softly softly maybe, but these songs are not fragile things.

Get your sugar high here

http://thebloodsugars.com/

http://www.engineroomrecordings.com/artists.html

She’s Like A British Car – The Thromboes (CatErratic Records)

Oh its back to the garage, and just in time too, its dirty delightful here, oil stain glamour, spare part rough slinky raw rock squeezed into 3 minute nuggets.

Its Iggy meets the Yardbirds picking a fight with those freaky Monks (ironically a copy of ‘Black Monk Time’ >from 1966> fell into my hands about the same time I received ‘British car’.) Its twisted and sneering, the Troggs watching the Kingsmen, SLOUCHING around, waiting around for Punk to hit them hard.

Every tune makes you want to do that strange shuffle, where the body hardly moves but is full of poetic slinky menace.

This is music made by handsome savages sound tracking wry  17 year olds, on their brand new adventures.

This is ancient voodoo messy unapologetic , it is the return of the Junk and the Jive.

Get hooked here

http://www.myspace.com/thethromboes

Hear both these bands on this upcoming podcast Friday 12 June

http://nextbigthing.libsyn.com/

The Manik Music Rant: Zorch Factory Records

So, anyway, trawling around my list of links, e-mails subscriptions and Blog reader whatsits I come across a lone line advertising a free download of a French band Camp Z’s 6 track ep. Whoaw…free, I gasp..”This last release mixes electronic

backgrounds along with dark feelings, raw guitars and post punk energy!” says the blurb…colour me interested – I’ve sort of rediscovered the whole French/Euro coldwave genre of the 80’s as of late and have subsequently kicked myself at being so damnably Anglo-centric in my musical gleanings in those bad old days – ok, there was no internet, and the genre was largely ignored by the (Brit/USA) press of the day any mention of which was probably quickly passed by by the likes of I (not being able to see anything in the flesh as it were, also didn’t help), I mean, I thought Plastic Bertrand was all there was!! So, consequently I devote the latest Bullets From the Belfry (and this blog) to Zorch!

 

 

 

 

 

Subsequent investigation led me to Zorch Factory Records and their eclectic stable of artistes from Europe (and other parts of the globe) in the dark indie/goth/deathrock/postpunk/coldwave/electronica field of things that i generally immerse myself in. Headed up by Manu, member of aforementioned CampZ, his dream to present a forum, a home, a promotional tool for some of the many truly independent artists forging out into the interwastes trying to elevate themselves to better things. All the material is published under Creative Common License free to download. His aim to create a fanbase for the bands so that interest is tweaked, demands made and the music industry swings their way, whether interest by some established label or enough interest is created to make music sales of future product viable. Manu’s dream is based on love, not profit, the artists free to move on to greener pastures whne their boat comes in!

 

 

 

 

After hastily glomming the CampZ goodies : a dark buzzsaw caterwaul of postpunk excess- with strong leanings back to coldwave, overlaid with Manu’s harsh, angry vocals – no fake Brit/Amerikan tones here….without meaning to sound condescending, the French accent is perfect for this music! I went for the rest with glee.

 

 

 

 

Joy Disaster, also from France have a recent live concert recorded in Italy up for grabs. I suppose any band described as postpunk and having ‘Joy’ in their name is going to be compared with, ah, Joy Division…well yes, the comparisons are there, perhaps an early JD, maybe even Warsaw rather, harsh, brash, angry (I entertain the notion that if Warsaw formed today and listened to Interpol a lot…) Cyclic, all music is cyclic but in doing so it does not have to immitate, re-invention is part of the game, re-interpretation, it does not have to cater to some fixed audience to ‘fill a dance floor’ ( She Wants Revenge….pheeggh!!!). I take emotion over polish any fucking day – I see big things for Joy Disaster.

 

 

 

Mmmmmm, Mexican goth/punk/deathrock, I love it, ever since I frightened folk off the dancefloor with the likes of Los Meurtes Vivientes and the Ultrasonicas! The Acid Bats have a couple of releases on Zorch Factory, an 8 track ep, ‘Exhumacion’ and a earlier demo recording…fabulous stuff, can’t wait to ever be invited back into a dj booth with this in my must play box!! (If I promise to play at least one She Whines Revenge track, can I ? Can I???)

 

 

 

The more eclectic Crimson Muddle do a wonderful cover of Joy Divisions ‘Means To an End’ on their ep, their sound veering into almost steampunk territory, but still with that endearing coldwave feel.Lamentations Psychotiques and Nuit d’Octobre round off the ep in a darkly whimsical manner.

 

On and on, it’s like stumbling into a sweet shop of delights, Les Modules Estranges evoke the spirit of Siouxsie Sioux on tracks like Crash, Cocteau twins on say Am I Blind. lovely vocals, fragile guitar, veering toeards but not drowning in shoegazer territory. More tracks including remixes are available here.

 

From Spain come the enigmatically titled Red Crayon Aristocratic Club, think Yeah Yeah Yeahs meets Ladytron whilst picking up The Cranes on the way… A splendid cover of The Clash’s ‘Stay Free’ is a gem on the cd.

 

Germany’s Monozid have 2 ep’s available on the Zorch Factory site, think postpunk, think Chameleons, early Psychedelic Furs, Wire here.

 

Rounding off the podcast this week- The Trespass, perhaps the most traditional goth/deathrock band on Zorch,’ traditional’ being a misnomer really in that their roots are solid postpunk, a bit of Echo and the Bunnymen lilting through their epical sweeping songs.

 

All in all, a valuable cause to support..and download, and hopefully, eventually, lay hard cash down for! Zorch Factory Records, Bullets From the Belfry salutes you!!

 

http://www.zorchfactoryrecords.com/

 

Listen to some of the amazing Zorch artists here on the BFB Zorch Factory Records Special Podcast

http://nbtdarkelectric.podomatic.com/