The NBT Review 113

  Alive (Book and CD/ Deluxe Edition) – Tallulah Rendall (Transducer)

 The music is only the start of things..The Songs are only the beginning of this creative journey, Plays, artworks, videos, performance and the documenting of these collaborations form the basis of the book that accompanies the set of tunes.

 And yet as a diligent reviewer, one who hopes to try to get at least a little into the soul of the work, one must for the moment put aside the book and approach just the music, then come back to the book and then the music together.

 If this all sounds like hard work, let me assure you it is not, it is an adventure, a game, an experience that I found I did not want to end, and indeed it did not have to end, because each collaboration added another dimension to an already dense and sparkling universe.

 So it is highly recommended that when you get this album, make very sure you get the book too.

 But now I must be brave, and plunge just into the music, give my own thoughts on what I think takes place. Because everything starts with the music and the music shines differently into each listener’s soul.. and a reviewer can only report, this is what I heard, felt, saw, and in that way (when positive) inspire others to start their own journey (or in the rare negative case) give warning that the trip may not be worth it.

 I am of course double cursed/blessed as I have already reviewed Alive the EP, so now I must shed the shackles of the Previous and dive in as if all is new, listen with innocent ears as it were.

 The title track, is a tumble-drift of awakening, a bare sketch morphing into a colourful living swirlThing, it is the shot of adrenalin needed to, ‘go bathe in the light’, all PJ Harvey guitar rumble, galloping into the intensifying maelstrom, along with Anna Calvi, Rendall seems to be heading this lovely trend of darkly yet empowering pop music coming our way in 2011.

 then a switch in mood, its magical ballroom dance, romantic harmonies, falling in love music,the instruments create a pleasant pressure, the equivalent of being lost in a fog and fascinated by it.

Playful even, the way the intro to ‘Nothing Is Over’ evokes an old time Western ballad which stretches wilful into something sultry and sly.

 Then back to the throb, stand out (should be) single, ‘Colourblind’ the kind of thing, that you sway to immediately, as you fill up on that top of the roller-coaster vibe.

 The Joy of this collection is its balance. You never feel the song suffers from the application of studio craft, it is destined for radio waves and cyberspace but that knowledge is second hand, not cynically manipulated for maximum effect. The ambition never gets in the way of the personal.

 And then again I listen, this time with book in hand. I learn of wondrous art being made. Of tasks taken up, challenges accepted and met, with gleeful daring and …

 hope.

 This whole ‘product’ is a testament to the belief that art is a shape shifting goddess with boundless gifts.

 I urge you to go and get this

http://www.tallulahrendall.com/category/music/

 Tallulah has several songs on the new nbtMusic 24 hr radio station

http://nbtmusicradio.playtheradio.com/

 and is one of the featured artists on this weeks NBT Podcast

 http://nextbigthing.libsyn.com

 

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The NBT Review 93

Delicate Dangerous Cool Part Two

Alive – Tallulah Rendall (independent release)

On a day that I am woken by an elegant storm that seems to fade in from a dream and lives here forever, I find that I am incapable of dissecting these creations, going in heavy with a technical post-mortem for the casually curious. Rather due to the beauty and presence of this album, I wish to simply freefall into the words and music and send back to you my impressions, some may be in bold sharp focus, and some may be as blurred as a soft sigh, but all will, hopefully give you, gentle reader an idea of what it was like to travel here.

Caught in the ripple, caught in the pulse, a good time to jump, the song builds outwards, navigates into the chaos, the singer surfs the turmoil and you hold on tight, but she wouldn’t lie for you, wouldn’t die for you, so this, is what it means to be alive, the drop is there to be savored, the tension seductive breathless and sweet. Is she cruel or a savior of detached kindness, does it really matter, giving up is not really an option.

Listen to her delight in the giddy theatrical, the lure of the exotic and untouchable, the way she watches those who need and those who create that need, a haughty mix of the progressive folk that Grace Slick and Jefferson Airplane practiced and the ambiguous vulnerable of a PJ Harvey.

Here the stage lights concoct colours that merge into the walls, so that the shadows can hide if they wish or scare if they want. Remember how Ms. Bush flirted musically with Mr. Gilmore and you get a small idea of her control over melody and mood, never allowing the drama to overflow into something too gaudy, her trick is to keep us tricked, entranced, willfully hypnotized.

There is something distinctly old fashioned at play here, yet the decades of inspiration shift past so alluringly you find you are never left out of the modern pop room either. This is her strange cool party and you are very much invited.

Fly there and find out for yourself

http://www.tallulahrendall.com

You can hear tracks from this album, this week on the NBT Dark Electric Podcast

http://nbtdarkelectric.podbean.com/

And next week on the NBT Flagship Podcast

http://nextbigthing.libsyn.com